Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 5
Thus many artists speak of inspiration , and thus it would be odd to make the will central , although a willed act ... For Midgley's artist is no more than the ' maker ' described by Plato in the Timaeus , who follows the demiurgus or ...
Thus many artists speak of inspiration , and thus it would be odd to make the will central , although a willed act ... For Midgley's artist is no more than the ' maker ' described by Plato in the Timaeus , who follows the demiurgus or ...
Page 6
In his division of the Imagination into primary and secondary , Coleridge sets the creative artist between these two traditions , the Platonic and the Judaeo - Christian . The result is described by Milton Nahm .
In his division of the Imagination into primary and secondary , Coleridge sets the creative artist between these two traditions , the Platonic and the Judaeo - Christian . The result is described by Milton Nahm .
Page 48
1818 ) , Coleridge describes artistic creativity in the man of genius as both an ' unconscious activity and also ... Mary Rahme concludes that : the symbols created by the artist are not representations merely of objective outer nature ...
1818 ) , Coleridge describes artistic creativity in the man of genius as both an ' unconscious activity and also ... Mary Rahme concludes that : the symbols created by the artist are not representations merely of objective outer nature ...
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Contents
THE ROMANTIC CONTEXT | 8 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
THE CRITICAL PROSE | 73 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
activity Aids Ancient Mariner artist Beautiful becomes beginning belief Biographia Literaria Chapter Christian Coleridge Coleridge's concern consciousness context continued create creation creative criticism described discussion distinction divine doctrine early effect English Essays established eternal evil experience expression faith Farrer final finite fragment Friend further given historical human ideas Imagination important individual infinite inspiration intellectual irony John Kant knowledge language later Lectures letter light linked literary literature Logic London meaning merely mind moral mystery narrative nature object opposites organic original Oxford particular perceived person philosophical poem poet poetic poetry Polar position present principle reader reading reason reference reflection relation relationship religion religious remains revelation Romantic Schlegel seems sense Spirit structure suggests symbol theology theory things thought tradition true truth understanding unity universal vision whole Wordsworth writings wrote