Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 4
In what sense , however , can the imagination be said to generate or create , on the religious model of divine creation , since people are not gods ? Midgley is specifically using Nietzsche and Sartre in giving a religious reference to ...
In what sense , however , can the imagination be said to generate or create , on the religious model of divine creation , since people are not gods ? Midgley is specifically using Nietzsche and Sartre in giving a religious reference to ...
Page 5
Creation , therefore , Mary Midgley begins to conclude , is something less pretentious than a single , splendid act , but is going on all the time , moving and developing . Such creation demands chiefly courage and clear - headedness .
Creation , therefore , Mary Midgley begins to conclude , is something less pretentious than a single , splendid act , but is going on all the time , moving and developing . Such creation demands chiefly courage and clear - headedness .
Page 92
84 Such symbols are discovered in the paradoxical relationship between the parts and the whole , the finite and the infinite , or art and reality , the artist and his creation . In Table Talk , Coleridge is reported to have described ...
84 Such symbols are discovered in the paradoxical relationship between the parts and the whole , the finite and the infinite , or art and reality , the artist and his creation . In Table Talk , Coleridge is reported to have described ...
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Contents
THE ROMANTIC CONTEXT | 8 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
THE CRITICAL PROSE | 73 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
activity Aids Ancient Mariner artist Beautiful becomes beginning belief Biographia Literaria Chapter Christian Coleridge Coleridge's concern consciousness context continued create creation creative criticism described discussion distinction divine doctrine early effect English Essays established eternal evil experience expression faith Farrer final finite fragment Friend further given historical human ideas Imagination important individual infinite inspiration intellectual irony John Kant knowledge language later Lectures letter light linked literary literature Logic London meaning merely mind moral mystery narrative nature object opposites organic original Oxford particular perceived person philosophical poem poet poetic poetry Polar position present principle reader reading reason reference reflection relation relationship religion religious remains revelation Romantic Schlegel seems sense Spirit structure suggests symbol theology theory things thought tradition true truth understanding unity universal vision whole Wordsworth writings wrote