Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 19
... fragment becomes a Romantic literary form of such importance , nowhere more so than in ' Kubla Khan ' . For the fragment embodies the Romantic sense of incomplete- ness and restless progress ; more than that it invites an active ...
... fragment becomes a Romantic literary form of such importance , nowhere more so than in ' Kubla Khan ' . For the fragment embodies the Romantic sense of incomplete- ness and restless progress ; more than that it invites an active ...
Page 85
... fragments gathered into one by H. N. Coleridge in The Literary Remains , and published by T. M. Raysor under the title ' Shakespeare's Judgement Equal to his Genius'.63 In a fragment entitled ' Lecture ' in Egerton MS . 2800 , f . 24 ...
... fragments gathered into one by H. N. Coleridge in The Literary Remains , and published by T. M. Raysor under the title ' Shakespeare's Judgement Equal to his Genius'.63 In a fragment entitled ' Lecture ' in Egerton MS . 2800 , f . 24 ...
Page 135
... fragment . Coleridge's task may , indeed , have been , in the end , impossible ; or perhaps the Opus Maximum should be placed beside ' Kubla Khan ' and ' Christabel ' , as a fragment which is a Romantic form and a part of a whole which ...
... fragment . Coleridge's task may , indeed , have been , in the end , impossible ; or perhaps the Opus Maximum should be placed beside ' Kubla Khan ' and ' Christabel ' , as a fragment which is a Romantic form and a part of a whole which ...
Contents
THE ROMANTIC CONTEXT | 8 |
Symbol and Organic Form | 16 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
absolute aesthetic Aids to Reflection Ancient Mariner artist biblical Biographia Literaria Boehme Cambridge Platonists Christ Christian Coleridge London Coleridge's Coleridge's later Coleridge's writings Confessio Fidei Confessions consciousness context creation creative Dejection described divine doctrine Eolian Eolian Harp Essays eternal experience faith Farrer Fichte finite fragment freedom Friedrich Schlegel Friend(CC Giordano Bruno Glass of Vision Gospel Hartley Helen Gardner human Ibid Idea individual infinite inspiration intellectual intuition irony John Kant Kant's Kritik Kubla Khan language letter Limbo literature Logos M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum original original sin Owen Barfield Oxford perceived poem poet poetic poetry Polar Logic prose radical evil reader reading reason religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling sense symbol tetractys theology theory things thought tradition truth unity universal Wordsworth wrote