Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
From inside the book
Results 1-3 of 19
Page 49
... narrative must be allowed to do its own work on its own terms , while the reader needs to become aware of the delicate interaction between the various levels of narration and the way in which this sustains two ontological bases of form ...
... narrative must be allowed to do its own work on its own terms , while the reader needs to become aware of the delicate interaction between the various levels of narration and the way in which this sustains two ontological bases of form ...
Page 51
... narrative will perform its own work on its own terms . Further , Coleridge asserted that narrative follows particular rules dedicated to an immediate end or object . In the note on Richard II he makes the important point that the narrative ...
... narrative will perform its own work on its own terms . Further , Coleridge asserted that narrative follows particular rules dedicated to an immediate end or object . In the note on Richard II he makes the important point that the narrative ...
Page 57
... narrative structure of the poem . As Coleridge wrote in ' Dejection ' : we receive but what we give And in our life alone does Nature live . 58 The change in the Mariner stems from a changed attitude to himself : the response of the ...
... narrative structure of the poem . As Coleridge wrote in ' Dejection ' : we receive but what we give And in our life alone does Nature live . 58 The change in the Mariner stems from a changed attitude to himself : the response of the ...
Contents
THE ROMANTIC CONTEXT | 8 |
Symbol and Organic Form | 16 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
Copyright | |
9 other sections not shown
Other editions - View all
Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
absolute aesthetic Aids to Reflection Ancient Mariner artist biblical Biographia Literaria Boehme Cambridge Platonists Christ Christian Coleridge London Coleridge's Coleridge's later Coleridge's writings Confessio Fidei Confessions consciousness context creation creative Dejection described divine doctrine Eolian Eolian Harp Essays eternal experience faith Farrer Fichte finite fragment freedom Friedrich Schlegel Friend(CC Giordano Bruno Glass of Vision Gospel Hartley Helen Gardner human Ibid Idea individual infinite inspiration intellectual intuition irony John Kant Kant's Kritik Kubla Khan language letter Limbo literature Logos M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum original original sin Owen Barfield Oxford perceived poem poet poetic poetry Polar Logic prose radical evil reader reading reason religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling sense symbol tetractys theology theory things thought tradition truth unity universal Wordsworth wrote