Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 16
IV SYMBOL AND ORGANIC FORM Friedrich Schlegel remarked in his Athenäum Fragmente that as Nature is organic ( ' organisch ” ) , so what is most beautiful must also be organic . The same is true of morality and love .
IV SYMBOL AND ORGANIC FORM Friedrich Schlegel remarked in his Athenäum Fragmente that as Nature is organic ( ' organisch ” ) , so what is most beautiful must also be organic . The same is true of morality and love .
Page 87
This principle of Method in the construction of a Shakespearean drama involves antitheses between the individual and the universal , and in the relationship of organic form and unity with progression ( p .
This principle of Method in the construction of a Shakespearean drama involves antitheses between the individual and the universal , and in the relationship of organic form and unity with progression ( p .
Page 91
... terms as polarity which implies a dialectic as the necessary means of progression towards an ever - greater participation in the ' Fülle ' , or the achievement of - in the language of A. W. Schlegel and Coleridge – organic form .
... terms as polarity which implies a dialectic as the necessary means of progression towards an ever - greater participation in the ' Fülle ' , or the achievement of - in the language of A. W. Schlegel and Coleridge – organic form .
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Contents
THE ROMANTIC CONTEXT | 8 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
THE CRITICAL PROSE | 73 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
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activity Aids Ancient Mariner artist Beautiful becomes beginning belief Biographia Literaria Chapter Christian Coleridge Coleridge's concern consciousness context continued create creation creative criticism described discussion distinction divine doctrine early effect English Essays established eternal evil experience expression faith Farrer final finite fragment Friend further given historical human ideas Imagination important individual infinite inspiration intellectual irony John Kant knowledge language later Lectures letter light linked literary literature Logic London meaning merely mind moral mystery narrative nature object opposites organic original Oxford particular perceived person philosophical poem poet poetic poetry Polar position present principle reader reading reason reference reflection relation relationship religion religious remains revelation Romantic Schlegel seems sense Spirit structure suggests symbol theology theory things thought tradition true truth understanding unity universal vision whole Wordsworth writings wrote