Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 16
... organic ( ' organisch ' ) , so what is most beautiful must also be organic . The same is true of morality and love . But it was his brother A. W. Schlegel who made the distinction between mechanical and organic form which was so ...
... organic ( ' organisch ' ) , so what is most beautiful must also be organic . The same is true of morality and love . But it was his brother A. W. Schlegel who made the distinction between mechanical and organic form which was so ...
Page 87
... organic form and unity with progression ( p . 476 ) , behind which lies Coleridge's belief that if the Invisible is denied ' the component parts can never be reduced into a harmonious whole ' , relating the invisible to the visible ...
... organic form and unity with progression ( p . 476 ) , behind which lies Coleridge's belief that if the Invisible is denied ' the component parts can never be reduced into a harmonious whole ' , relating the invisible to the visible ...
Page 91
... organic form . Furthermore , polarity is discussed in the Lyceums - Fragmente as the relationship between ' Bedingt und Un- bedingt ' , the conditioned and the unconditioned , 79 leading straight back , once again to Coleridge's ...
... organic form . Furthermore , polarity is discussed in the Lyceums - Fragmente as the relationship between ' Bedingt und Un- bedingt ' , the conditioned and the unconditioned , 79 leading straight back , once again to Coleridge's ...
Contents
THE ROMANTIC CONTEXT | 8 |
Symbol and Organic Form | 16 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
absolute aesthetic Aids to Reflection Ancient Mariner artist biblical Biographia Literaria Boehme Cambridge Platonists Christ Christian Coleridge London Coleridge's Coleridge's later Coleridge's writings Confessio Fidei Confessions consciousness context creation creative Dejection described divine doctrine Eolian Eolian Harp Essays eternal experience faith Farrer Fichte finite fragment freedom Friedrich Schlegel Friend(CC Giordano Bruno Glass of Vision Gospel Hartley Helen Gardner human Ibid Idea individual infinite inspiration intellectual intuition irony John Kant Kant's Kritik Kubla Khan language letter Limbo literature Logos M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum original original sin Owen Barfield Oxford perceived poem poet poetic poetry Polar Logic prose radical evil reader reading reason religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling sense symbol tetractys theology theory things thought tradition truth unity universal Wordsworth wrote