Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 50
encourage the unwary reader into a grateful adherence to landmarks of meaning which lie temptingly on the surface of the narrative . Coleridge himself warns us against taking the simple rule – ' He prayeth well who loveth well'– too ...
encourage the unwary reader into a grateful adherence to landmarks of meaning which lie temptingly on the surface of the narrative . Coleridge himself warns us against taking the simple rule – ' He prayeth well who loveth well'– too ...
Page 51
These levels – of narrator , the Mariner and the reader – between them sustain the two ontological bases of form , the two worlds of the poem , one inhabited by the Wedding - Guest and finally embraced by the Mariner in his concluding ...
These levels – of narrator , the Mariner and the reader – between them sustain the two ontological bases of form , the two worlds of the poem , one inhabited by the Wedding - Guest and finally embraced by the Mariner in his concluding ...
Page 52
Like the Wedding - Guest he adheres to the Mariner as he tells his tale , while he drifts in and out of a relationship of trust with the narrator , who has a treacherous habit of misleading the too - trusting reader .
Like the Wedding - Guest he adheres to the Mariner as he tells his tale , while he drifts in and out of a relationship of trust with the narrator , who has a treacherous habit of misleading the too - trusting reader .
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Contents
THE ROMANTIC CONTEXT | 8 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
THE CRITICAL PROSE | 73 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
activity Aids Ancient Mariner artist Beautiful becomes beginning belief Biographia Literaria Chapter Christian Coleridge Coleridge's concern consciousness context continued create creation creative criticism described discussion distinction divine doctrine early effect English Essays established eternal evil experience expression faith Farrer final finite fragment Friend further given historical human ideas Imagination important individual infinite inspiration intellectual irony John Kant knowledge language later Lectures letter light linked literary literature Logic London meaning merely mind moral mystery narrative nature object opposites organic original Oxford particular perceived person philosophical poem poet poetic poetry Polar position present principle reader reading reason reference reflection relation relationship religion religious remains revelation Romantic Schlegel seems sense Spirit structure suggests symbol theology theory things thought tradition true truth understanding unity universal vision whole Wordsworth writings wrote