The Oxford Handbook of AestheticsJerrold Levinson The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences. The Oxford Handbook of Aesthetics brings the authority, liveliness, and multi-disciplinary scope of the Handbook series to the area where philosophy meets the arts. Jerrold Levinson has assembled a hugely impressive range of talent to contribute 48 brand-new essays, making this the most comprehensive guide available to the theory, application, history, and future of the field. This Handbook will be invaluable to academics and students across philosophy and all branches of the arts, both as the reference work of choice and as a stimulus to new research and creativity. |
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Page 176
... Goodman ( 1968 ; see also Genette 1997 ) . A work is auto- graphic if even the most exact duplication of it does not count as genuine . This might seem to suggest that autographic works of art correspond to those I previ- ously ...
... Goodman ( 1968 ; see also Genette 1997 ) . A work is auto- graphic if even the most exact duplication of it does not count as genuine . This might seem to suggest that autographic works of art correspond to those I previ- ously ...
Page 200
... Goodman also points out that everything resembles everything else in countless ways , and that resemblance is a reflexive and symmetric relation , while representation is neither ( Goodman 1976 : 4 ) . The former point requires only ...
... Goodman also points out that everything resembles everything else in countless ways , and that resemblance is a reflexive and symmetric relation , while representation is neither ( Goodman 1976 : 4 ) . The former point requires only ...
Page 229
... Goodman stated succinctly ' style consists of those features of the symbolic functioning of a work that are char- acteristic of author , period , place , or school ' ( Goodman 1978 : 35 ) . Writing on the visual arts , James Ackerman ...
... Goodman stated succinctly ' style consists of those features of the symbolic functioning of a work that are char- acteristic of author , period , place , or school ' ( Goodman 1978 : 35 ) . Writing on the visual arts , James Ackerman ...
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Common terms and phrases
aesthetic appreciation aesthetic experience aesthetic judgements aesthetic properties aesthetic realism aesthetic theory aesthetic value Aesthetics and Art appears architecture argued Aristotle Art Criticism artforms Arthur Danto artistic artworks artworld audience Beardsley beauty British Journal Cambridge University Press Carroll character claim cognitive conception Cornell University Cornell University Press creative cultural dance Danto definition of art Dickie distinction emotion Essays evaluative example expression feminist aesthetics fiction film function Goodman Hegel Huichol human Hume humour idea imagine instance intention interpretation Ithaca Journal of Aesthetics Kant Kant's kind Kivy Levinson literary literature meaning metaphor Monroe Beardsley moral narrative natural environment Noël Carroll normative object Ontology Oxford University Press painting Pennsylvania State University perception performance Philosophy photographs pleasure poetry qualities question R. G. Collingwood relation relevant representation response Scruton sculpture sense style supervenience taste theory of art thetic things thought tion visual Walton Wollheim work's