The Oxford Handbook of AestheticsJerrold Levinson The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences. The Oxford Handbook of Aesthetics brings the authority, liveliness, and multi-disciplinary scope of the Handbook series to the area where philosophy meets the arts. Jerrold Levinson has assembled a hugely impressive range of talent to contribute 48 brand-new essays, making this the most comprehensive guide available to the theory, application, history, and future of the field. This Handbook will be invaluable to academics and students across philosophy and all branches of the arts, both as the reference work of choice and as a stimulus to new research and creativity. |
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Page 130
... appears to possess ( to the right perceiver , under the right conditions ) when it is perceived in its correct category . The correct category in which to perceive the expanse of sand and mud is the category of tidal basin ; accordingly ...
... appears to possess ( to the right perceiver , under the right conditions ) when it is perceived in its correct category . The correct category in which to perceive the expanse of sand and mud is the category of tidal basin ; accordingly ...
Page 199
... appears F is to say that it appears to be F , which is simply a weakening of the judgement that it is F. For the account defended above , not only is ' appears F ' distinct from ' appears to be F ' , but , together with ' conditions appear ...
... appears F is to say that it appears to be F , which is simply a weakening of the judgement that it is F. For the account defended above , not only is ' appears F ' distinct from ' appears to be F ' , but , together with ' conditions appear ...
Page 200
Jerrold Levinson. appears as the way its occlusion or outline shape appears to be , which is a usually inaccurate ... appears , since there is no particular way an object appears . There is no way the world is that is there to be ...
Jerrold Levinson. appears as the way its occlusion or outline shape appears to be , which is a usually inaccurate ... appears , since there is no particular way an object appears . There is no way the world is that is there to be ...
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Common terms and phrases
aesthetic appreciation aesthetic experience aesthetic judgements aesthetic properties aesthetic realism aesthetic theory aesthetic value Aesthetics and Art appears architecture argued Aristotle Art Criticism artforms Arthur Danto artistic artworks artworld audience Beardsley beauty British Journal Cambridge University Press Carroll character claim cognitive conception Cornell University Cornell University Press creative cultural dance Danto definition of art Dickie distinction emotion Essays evaluative example expression feminist aesthetics fiction film function Goodman Hegel Huichol human Hume humour idea imagine instance intention interpretation Ithaca Journal of Aesthetics Kant Kant's kind Kivy Levinson literary literature meaning metaphor Monroe Beardsley moral narrative natural environment Noël Carroll normative object Ontology Oxford University Press painting Pennsylvania State University perception performance Philosophy photographs pleasure poetry qualities question R. G. Collingwood relation relevant representation response Scruton sculpture sense style supervenience taste theory of art thetic things thought tion visual Walton Wollheim work's