The Oxford Handbook of Aesthetics
OUP Oxford, Apr 3, 2003 - Philosophy - 838 pages
The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences. The Oxford Handbook of Aesthetics brings the authority, liveliness, and multi-disciplinary scope of the Handbook series to the area where philosophy meets the arts. Jerrold Levinson has assembled a hugely impressive range of talent to contribute 48 brand-new essays, making this the most comprehensive guide available to the theory, application, history, and future of the field. This Handbook will be invaluable to academics and students across philosophy and all branches of the arts, both as the reference work of choice and as a stimulus to new research and creativity.
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History of Modern Aesthetics
Aesthetic Realism 1
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aesthetic appreciation aesthetic experience aesthetic judgements aesthetic properties Aesthetic Realism aesthetic theory aesthetic value Aesthetics and Art appears architecture argued Aristotle Art Criticism artforms Arthur Danto artistic artworks artworld audience Beardsley beauty British Journal Cambridge University Press Carroll claim cognitive cognitivism conception Cornell University Cornell University Press creative cultural dance Danto definition of art Dickie distinction emotion Essays evaluative example expression feminist aesthetics fictional film function Goodman Hegel Huichol human Hume humour idea imagine instance intention interpretation Ithaca Journal of Aesthetics Kant Kant's kind Kivy Levinson literary literature meaning metaphor Monroe Beardsley moral narrative natural environment normative object Ontology Oxford University Press painting Pennsylvania State University perception performance Philosophy photographs pleasure poetry qualities question R. G. Collingwood relation relevant representation response Scruton sculpture sense style supervenience taste theory of art thetic things thought tion visual Walton Wollheim work's