The Dark Lantern: A Historical Study of Sight in Shakespeare, Webster, and Middleton |
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Page xlii
... context employed by Adorno : instead , it is geared to the heterogeneous view of visual culture delineated above . Secondly , while Adorno associates the increasing autonomy of art with modernity and the emergence of a bourgeois culture ...
... context employed by Adorno : instead , it is geared to the heterogeneous view of visual culture delineated above . Secondly , while Adorno associates the increasing autonomy of art with modernity and the emergence of a bourgeois culture ...
Page 232
... context . While the youth is reassured that his love " such wealth brings " that " all losses are restored " ( 29 , 30 ) , Sonnet 49 expresses a good deal of trepidation about the day when the youth's love " hath cast his utmost sum ...
... context . While the youth is reassured that his love " such wealth brings " that " all losses are restored " ( 29 , 30 ) , Sonnet 49 expresses a good deal of trepidation about the day when the youth's love " hath cast his utmost sum ...
Page 333
... context , for it remains very powerful some four hundred years after Shakspeare put his pen to paper . As we keep our eyes riveted to Othello and Desdemona on the bridal bed , as we anxiously await the final draping of their bodies ...
... context , for it remains very powerful some four hundred years after Shakspeare put his pen to paper . As we keep our eyes riveted to Othello and Desdemona on the bridal bed , as we anxiously await the final draping of their bodies ...
Contents
INTRODUCTION | iii |
THE DARK LANTERN | 45 |
THE REFORMED EYE | 107 |
Copyright | |
6 other sections not shown
Common terms and phrases
Achilles active antivisual argued becomes Bianca blindness Bosola Calvin camera obscura chapter conception of sight context critics culture dark deception Descartes described Desdemona detached Dingley discussion distinction dramatic Duchess of Malfi early modern English example explore extramission eyebeam Ferdinand gaze George Hakewill Greeks heart heaven historical Hobbes Iago Iago's iconoclastic idolatry intromissive John Webster Kepler King King Lear Leantio Lear light literary London look Lucrece Lucrece's madness means Middleton mind mirror nature object observer ocular proof optics Othello participation passive perception perspective play poem poet poet's Puritan reading reciprocal reformed religious Renaissance Second Maiden's Tragedy seems seen sense seventeenth century Shakespeare social Sonnet 24 soul specular speculative vision suggests Tarquin things Thomas Middleton tion traditional tragedy Troilus and Cressida turn Ulysses Venus and Adonis visible visual experience visual theory Webster White Devil Women Beware Women words youth