The Dark Lantern: A Historical Study of Sight in Shakespeare, Webster, and Middleton |
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Page 57
... participation and likeness within a hierarchically graded universe . For if , as Charles Taylor puts it suc- cinctly , " everything participates in God and everything is in its own way like God , then the key principle underlying ...
... participation and likeness within a hierarchically graded universe . For if , as Charles Taylor puts it suc- cinctly , " everything participates in God and everything is in its own way like God , then the key principle underlying ...
Page 67
... participation of the eyebeam also had a reverse side known as the evil eye . It is also important to stress that the claim for a participational and continuous visual world could easily mean the viewer's participation within a ...
... participation of the eyebeam also had a reverse side known as the evil eye . It is also important to stress that the claim for a participational and continuous visual world could easily mean the viewer's participation within a ...
Page 431
... participation and immersion : a sense that even blindness was better than servitude to the seditious sense of sight . In what follows , I will be arguing that Middleton's dramatic treatment of sight was deeply affected by the sort of ...
... participation and immersion : a sense that even blindness was better than servitude to the seditious sense of sight . In what follows , I will be arguing that Middleton's dramatic treatment of sight was deeply affected by the sort of ...
Contents
INTRODUCTION | iii |
THE DARK LANTERN | 45 |
THE REFORMED EYE | 107 |
Copyright | |
6 other sections not shown
Common terms and phrases
Achilles active antivisual argued becomes Bianca blindness Bosola Calvin camera obscura chapter conception of sight context critics culture dark deception Descartes described Desdemona detached Dingley discussion distinction dramatic Duchess of Malfi early modern English example explore extramission eyebeam Ferdinand gaze George Hakewill Greeks heart heaven historical Hobbes Iago Iago's iconoclastic idolatry intromissive John Webster Kepler King King Lear Leantio Lear light literary London look Lucrece Lucrece's madness means Middleton mind mirror nature object observer ocular proof optics Othello participation passive perception perspective play poem poet poet's Puritan reading reciprocal reformed religious Renaissance Second Maiden's Tragedy seems seen sense seventeenth century Shakespeare social Sonnet 24 soul specular speculative vision suggests Tarquin things Thomas Middleton tion traditional tragedy Troilus and Cressida turn Ulysses Venus and Adonis visible visual experience visual theory Webster White Devil Women Beware Women words youth