Wagner Beyond Good and Evil

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University of California Press, Jul 14, 2008 - Music - 324 pages
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John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches. At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.
 

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Contents

Part II Der Ring Des Nibelungen
45
Part III The Elusiveness of Tragedy
77
Part IV Tristan Und Isolde
111
Part V Mature Polemics
157
Part VI Operatic Futures
207
List of Abbreviations
241
Notes
243
Acknowledgments
283
Index
285
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About the author (2008)

John Deathridge is King Edward Professor of Music at King's College London. He is the author, with Carl Dahlhaus, of The New Grove Wagner, co-editor of the Wagner-Werk-Verzeichnis (WWV) and editor of, and contributor to, the English language edition of the Wagner Handbook.

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