The Cambridge Companion to the Musical

Front Cover
Cambridge University Press, Dec 9, 2002 - Music - 310 pages
The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest and most popular forms of musical performance. Written by a team of specialists in the field of musical theatre especially for students and theatregoers, it offers a guide to the history and development of the musical in England and America (including coverage of New York s Broadway and London s West End traditions). Starting with the early history of the musical, the volume comes right up to date and examines the latest works and innovations, and includes information on the singers, audience and critical reception, and traditions. There is fresh coverage of the American musical theatre in the eighteenth and nineteenth centuries, the British musical theatre in the middle of the twentieth century, and the rock musical. The Companion contains an extensive bibliography and photos from key productions.
 

Contents

American musical theatre before the twentieth century
3
musical theatre in New York
29
American and British operetta in
47
AfricanAmerican musical theatre Show Boat
63
American musical comedies of
77
British musical theatre 19351960 John
101
Rodgers and Hammerstein Ann Sears 120
120
The successors of Rodgers and Hammerstein from the 1940s to the 1960s
137
Stephen Sondheim and the musical of the outsider Jim Lovensheimer 181
181
Choreographers directors and the fully integrated musical
197
Distant cousin or fraternal twin? Analytical approaches to the film musical
212
is rock a fourletter word on Broadway?
231
the creation internationalisation and impact
246
Notes 266
266
Index 290
290
Copyright

Kurt Weill and Leonard Bernstein
167

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About the author (2002)

William A. Everett is Assistant Professor of Musicology at the Conservatory of Music, University of Missouri-Kansas City. His articles and reviews have appeared in a number of journals including American Music, Opera Quarterly, and the Journal of the American Viola Society and he is also the author of British Piano Trios, Quartets, and Quintets, 1850-1950: A Checklist (2000). Paul R. Laird is Associate Professor of Musicology in the Dept of Music and Dance, University of Kansas. He is the author of Towards a History of the Spanish Villancico (1997), and Leonard Bernstein: A Guide to Research (2002), and co-editor with Craig H. Russell of Res Musicae: Essays in Honor of James W. Pruett (2001).

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