Byron: Lyric and romanceBritish Council, 1970 |
From inside the book
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Page 19
... Canto III , and the dying gladiator in Canto IV . The adjectives I have just used : twofold , duple , dual , are meant to stress the contrapuntal relationship of the poet to his theme . Canto II brings Greece and self - discovery : the ...
... Canto III , and the dying gladiator in Canto IV . The adjectives I have just used : twofold , duple , dual , are meant to stress the contrapuntal relationship of the poet to his theme . Canto II brings Greece and self - discovery : the ...
Page 23
... Canto II are blended of earth and water : air exists as an abstract , as the medium through which actuality is viewed , not as a part of that actuality itself , since ' air ' for Byron is freedom . Air enters into the Venetian scene of ...
... Canto II are blended of earth and water : air exists as an abstract , as the medium through which actuality is viewed , not as a part of that actuality itself , since ' air ' for Byron is freedom . Air enters into the Venetian scene of ...
Page 34
... Canto I gives us nothing , and Canto II presents structures which , being Greek , are conceived of in existential terms transcending those of art , and which in any case have been so far ab- sorbed into the landscape that they are no ...
... Canto I gives us nothing , and Canto II presents structures which , being Greek , are conceived of in existential terms transcending those of art , and which in any case have been so far ab- sorbed into the landscape that they are no ...
Common terms and phrases
action already Athens beginning brought Canto Canto II Childe Harold Chillon cities close column correlatives Corsair course death dimension drama early earth elements England ENGLISH EPIGRAM essay express feeling fiery figure finally finds fire Giaour gives Greece Greek hero Hours of Idleness human ideograms Italy John land landscape Lara later letters lines live London lonely looks LORD BYRON lost March Mazeppa meaning MICHIGAN mind mother mountains narrative Nature never Newstead o'er once opening Oriental pass passage passion past pattern phrase poem poet poetry present Prisoner projection published reflection remained returns Review satiric scene seen sense separation Shelley stanzas stood structure successful Tale theme THOMAS thought Turkish turn UNIVERSITY Venice verse voice wanderer wave whole wisdom Wordsworth writing written Young