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Preface to the First Draft 1930
THE WORK OF THE ARTISTIC IMAGINATION
THE ARTISTS DEVELOPMENT
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achieve aesthetic feeling allegory articulation ataraxia axis Bamberg Cathedral become body bombing of Guernica Cezanne Cezanne's composition conception concrete conscious-being consciousness contrast create creative curve dark areas Degas diagonal differentiation dimension dream dynamic earlier painting edge effect elements ellipse emotional energy expression external flower shelf foreground function Giotto Goethe golden section Guernica height historical horizontal human individual form inner interpretation John Rewald Joseph Last Supper later painting light and dark light and shadow light areas material of figuration means of representation merely metaphysical method middle modeling Moissac motif nature objects oval paleolithic art perception peripeteia Pharaoh Picasso pictorial space picture surface plane Plate pure Raphael reality realized rectangle relation Rembrandt Saint sense sensory side slanting social spatial specific spiritual static Strasbourg Cathedral structure tension things tion towel transcendence unity vertical viewer whole width woman