Spanish Studies in Shakespeare and His ContemporariesJosé Manuel González Fernández de Sevilla Spanish Studies in Shakespeare and His Contemporaries offers aselection of the most significant studies on Shakespeare and hiscontemporaries from a variety of perspectives in order to present a freshand inclusive vision of Shakespearean criticism in Spain to reach aworldwide readership. Plurality, maturity, and diversity are itsoutstanding characteristics as the transition has given shape to newcritical attitudes, readings, and approaches in the analysis and study ofShakespeare in the new Spain. |
Contents
Shakespearean Criticism in Contemporary | 7 |
Manuscripts and Editions | 13 |
A New Spanish | 21 |
Copyright | |
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adaptation Adonis African Antony Antony's audience Barcelona becomes behavior Ben Jonson Borrás Brabantio Calderón Caliche Celia Cervantes characters classical Cleopatra comedy contemporary critical culture death Don Quixote Donne Donne's drama Duchess of Malfi editing editors Elizabethan English expression fact Faustus Faustus's feeling female Francisco de Quevedo Herrera heterosexual Iago Ibid interpretation Isidoro Jonson José Juan Julius Caesar king literary literature London Lope lovers Madrid male Manuel María marriage melodrama Mercutio modern Moor moral Mosca narrative nature Neoplatonic original Otelo Othello passion performed Petrarch play play's poem poet poetic poetry political present Quevedo relationship Renaissance role Romains Romantic Romeo and Juliet sainete scene Schlegel seems seventeenth-century sexual Shake Shakespeare social sonnet Sonnet 18 Spain Spanish speare speech stage Teatro textual theater theatrical thou tion tradition tragedy tragical translation Tybalt University Press Venetian violent Volpone Volpone's women words Zweig's