Ben Jonson's Antimasques: A History of Growth and DeclineUnder the patronage of James I and then Charles I, Ben Jonson wrote no less than 28 court masques. Paying particular attention to the antimasque, Lesley Mickel discusses in detail those court entertainments which contributed significantly to the genre's evolution and development. Her approach is innovative in that she examines these works in relation to Jonson's poetry and dramatic works. This reveals some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques. |
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Page 26
... poetry and paying attention to the ways in which the most hyperbolic of Jonson's panegyric can , at times , subtly incorporate a note of mockery . I hope to demonstrate that rather than being a weakness in his poetic eulogies this ...
... poetry and paying attention to the ways in which the most hyperbolic of Jonson's panegyric can , at times , subtly incorporate a note of mockery . I hope to demonstrate that rather than being a weakness in his poetic eulogies this ...
Page 27
... poetry has been opposed by critics such as Richard Peterson , who are more alert to the subtle complexities of much of Jonson's verse . In his indispensable book , Imitation and Praise in the Poems of Ben Jonson , Peterson reveals the ...
... poetry has been opposed by critics such as Richard Peterson , who are more alert to the subtle complexities of much of Jonson's verse . In his indispensable book , Imitation and Praise in the Poems of Ben Jonson , Peterson reveals the ...
Page 28
... poet stems from a contextual misapprehension of Jonsonian praise , and the imposition of anachronistic ideals upon the public poetry of the Renaissance.4 As if in anticipation of such criticism , the poet himself justifies panegyric ...
... poet stems from a contextual misapprehension of Jonsonian praise , and the imposition of anachronistic ideals upon the public poetry of the Renaissance.4 As if in anticipation of such criticism , the poet himself justifies panegyric ...
Contents
panegyric and the formation of | 26 |
masque and the historical myth | 63 |
the topicality of | 101 |
Copyright | |
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antimasque appears argued aspect assertion attempt audience authority Barriers Bartholomew Fair Beauty become Blackness celebration Chapter Charles chivalric masques claims classical clearly comic contemporary context court entertainment court masque criticism cultural demonstrate described developed dialectic discourse discussion dissent divine dominant drama earlier early effect Elizabethan emphasis Epigrams example expressed fact figures grotesque Henry historical ideal ideology implications important integrity interest involved ironic irony James James's Jonson Jonsonian King later lines literary London Love masque's meaning monarch moral myth nature Oberon Orgel panegyric peace performed perhaps plays poem poet poetic poetry political position praise present Press Prince produce Queen question reading reference relation Renaissance represents reveals rhetorical role Roman royal satire seems seen significant social stage status strategy Strong structure Stuart suggests symbolic traditional Triumph University values virtue writes