Characters of Shakespeare's PlaysH. Milford, Oxford University Press, 1947 - 287 pages |
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Page xxxvii
... feelings of pleasure or power in the mind , and moulding the impressions of natural objects according to the impulses ... feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's description ...
... feelings of pleasure or power in the mind , and moulding the impressions of natural objects according to the impulses ... feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's description ...
Page 50
... feeling of his subject as any one play of Shakespeare . It is one of the few in which he seems to be in earnest throughout , never to trifle nor go out of his way . He does not relax in his efforts , nor lose sight of the unity of his ...
... feeling of his subject as any one play of Shakespeare . It is one of the few in which he seems to be in earnest throughout , never to trifle nor go out of his way . He does not relax in his efforts , nor lose sight of the unity of his ...
Page 99
... feeling in the interests of those he is employed about . How exquisite is the following dialogue between him and Prospero ! Ariel . Your charm so strongly works ' em , That if you now beheld them , your affections Would become tender ...
... feeling in the interests of those he is employed about . How exquisite is the following dialogue between him and Prospero ! Ariel . Your charm so strongly works ' em , That if you now beheld them , your affections Would become tender ...
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Common terms and phrases
admirable affections answer Antony Apemantus Arthur banished Banquo beauty Ben Jonson blood breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth dramatic eyes Falstaff fancy father fear feeling fool friends genius give Gonerill grace grave Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sir Toby sleep soul speak speech spirit striking sweet tender thee things thou art thought tion Titus Andronicus tongue tragedy truth wife words Yorkshire Tragedy youth