The Place of the Audience: Cultural Geographies of Film ConsumptionIt has been a recurring complaint both within and against film studies that it has largely ignored the activities of audiences. This book aims to address this absence (as compared to television studies) and to explain its cause. The authors argue that there is a social context in which the consumption of film can be understood or studied historically; demonstrating that a concentration on the place of film consumption within the changing cultural politics of the city can offer a compelling and productive focus of analysis. This book examines not only the different meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, terrestrial television transmission, video rental and retail, and satellite/cable), but also the meanings of the activities of film consumption associated with these sites. Through use of archival materials and ethnographic studies of the audience, the book examines the meanings of film consumption from the earliest film showings up to the 21st century. |
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Page 7
... melodramas while in the second they are usually pre- sented as a critique of romantic melodrama . Klinger is quite clear that her work is not a study of actual audiences , but only an account of the conditions within which audiences ...
... melodramas while in the second they are usually pre- sented as a critique of romantic melodrama . Klinger is quite clear that her work is not a study of actual audiences , but only an account of the conditions within which audiences ...
Page 106
... melodrama as a form on the grounds that it has ' resolutely refused to understand social change in other than private contexts and emo- tional terms [ which results in ] a lamentable ignorance of the properly social and political ...
... melodrama as a form on the grounds that it has ' resolutely refused to understand social change in other than private contexts and emo- tional terms [ which results in ] a lamentable ignorance of the properly social and political ...
Page 264
... Melodrama and Meaning : History , Culture and the Films of Douglas Sirk ( Bloomington , IN : Indiana University Press , 1994 ) . Klinger , Barbara , ' Film History : Terminable and Interminable : Recovering the Past in Reception Studies ...
... Melodrama and Meaning : History , Culture and the Films of Douglas Sirk ( Bloomington , IN : Indiana University Press , 1994 ) . Klinger , Barbara , ' Film History : Terminable and Interminable : Recovering the Past in Reception Studies ...
Contents
Contexts of Film Consumption | 16 |
Class Gender and Public Space in Early Film Consumption | 37 |
Slum Clearance Cinema Building and Differentiated Experiences | 83 |
Copyright | |
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activities adverts argued associated attract audiences Bouchercon British Broadway Bulwell cable cinema building cinemagoing cinematographic cinematographic theatres city centre city-centre claimed closure concerns consumer context Cornerhouse Council House cultural decline demonstrated domestic Elite entertainment estates example exhibition experience feature film consumption flâneur Gomery Goose Fair Hollywood Hollywood Video home cinema Ibid industry July leisure London Mark Jancovich meanings Media Centre middle classes modernity Morley movie multiplex Nottingham Nottingham Evening Post Nottingham Film Odeon organised period picture by Mark Picture House popular present problem production programme public space relation respondents result Ritz satellite screen seats seen sense Showcase shown silent films simply Sneinton social sound films specific student RMQ suburban suburbs Sunday opening supposedly talkies technologies television viewing town centre video nasties watch women working-class