The Works of Shakespeare in Seven Volumes, Volume 7 |
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Page 5
Of Author's pen , or Aitor's voice ; but suited In like conditions as our Argument ; )
To tell you , ( fair Beholders ) that our Play Leaps o'er the vaunt and firstlings of
those broils , ' Ginning i'th ' middle : Starting thence away , ( 2 ) To what may be ...
Of Author's pen , or Aitor's voice ; but suited In like conditions as our Argument ; )
To tell you , ( fair Beholders ) that our Play Leaps o'er the vaunt and firstlings of
those broils , ' Ginning i'th ' middle : Starting thence away , ( 2 ) To what may be ...
Page 14
... Gentleman's Note is much more absurd : for it falls out very unluckily for his
Remark , that tho Paris is , for the Generality , in Homer call d'Alexander ; yet , in
this Play , by any one of the Characters introduc'd , he is called nothing but Paris .
... Gentleman's Note is much more absurd : for it falls out very unluckily for his
Remark , that tho Paris is , for the Generality , in Homer call d'Alexander ; yet , in
this Play , by any one of the Characters introduc'd , he is called nothing but Paris .
Page 25
Sometimes , great Agamemnon , Thy topless Deputation he puts on ; And like a
strutting Player , ( whose conceit Lies in ... tis Agamemnon just Now play me
Nestor me Nestor - hum , and stroke thy beard , As he , being drest to some
oration .
Sometimes , great Agamemnon , Thy topless Deputation he puts on ; And like a
strutting Player , ( whose conceit Lies in ... tis Agamemnon just Now play me
Nestor me Nestor - hum , and stroke thy beard , As he , being drest to some
oration .
Page 26
Tis Nestor right ! now play him me , Patroclus , Arming to answer in a night -
alarm : And then , forsooth , the faint defects of age Must be the scene of mirth , to
cough and spit , And with a palfie fumbling on his gorget ; Shake in and out the
rivet ...
Tis Nestor right ! now play him me , Patroclus , Arming to answer in a night -
alarm : And then , forsooth , the faint defects of age Must be the scene of mirth , to
cough and spit , And with a palfie fumbling on his gorget ; Shake in and out the
rivet ...
Page 31
So afterwards , in this Play , Uly / es fays , I do not strain at the Position , i.e. I do
not hesitate at , I make no Difficulty of it . In no less working , than are swords and
bows 3 In TROIL US and CRESSIDA . 31 And, in the publication, make no ftrain, .
So afterwards , in this Play , Uly / es fays , I do not strain at the Position , i.e. I do
not hesitate at , I make no Difficulty of it . In no less working , than are swords and
bows 3 In TROIL US and CRESSIDA . 31 And, in the publication, make no ftrain, .
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Common terms and phrases
Achilles Ĉmil againſt Ajax Author bear better blood bring changes Clown comes dead dear death doth earth Enter Exeunt Exit eyes fair fall Farewel father fear firſt follow give gone Hamlet hand hath head hear heart heav'n Hector himſelf hold honour I'll Iago keep King lady lago leave light live look lord marry matter mean mind Moor moſt muſt Nature never night noble Nurſe once Othello Paris Play Poet poor Pope pray Prince Queen reaſon Romeo ſay SCENE ſee ſeems ſelf ſhall ſhe ſhould ſome ſoul ſpeak ſtand ſuch ſweet tell thee Ther there's theſe thing thoſe thou thou art thought Troi Troilus true uſe whoſe wife young
Popular passages
Page 70 - Keeps honour bright : To have done, is to hang Quite out of fashion, like a rusty mail In monumental mockery.
Page 279 - Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her!
Page 249 - I could a tale unfold, whose lightest word Would harrow up thy soul ; freeze thy young blood ; Make thy two eyes, like stars, start from their spheres...
Page 290 - ... accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
Page 325 - What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
Page 168 - These violent delights have violent ends, And in their triumph die ! like fire and powder, Which, as they kiss, consume.
Page 441 - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont ; Even so my bloody thoughts, with violent pace, Shall ne'er look back, ne'er ebb to humble love. Till that a capable and wide revenge Swallow them up. — Now, by yond marble heaven, In the due reverence of a sacred vow {Kneels, I here engage my words.
Page 245 - The king doth wake to-night, and takes his rouse, Keeps wassail, and the swaggering up-spring reels ; And, as he drains his draughts of Rhenish down, The kettle-drum and trumpet thus bray out The triumph of his pledge.
Page 152 - What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for thy. name, which is no part of thee, Take all myself.
Page 272 - In form and moving how express and admirable ! In action how like an angel! In apprehension how like a god! The beauty of the world! The paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me, — no, nor woman neither, though by your smiling you seem to say so.
Bibliographic information
| Title | The Works of Shakespeare in Seven Volumes, Volume 7 The Works of Shakespeare in Seven Volumes, William Shakespeare |
| Author | William Shakespeare |
| Editor | Mr. Theobald (Lewis) |
| Publisher | A. Bettesworth and C. Hitch, 1733 |
| Original from | Oxford University |
| Digitized | 13 Jul 2007 |
| Export Citation | BiBTeX EndNote RefMan |