L'Entrée D'Espagne: Context and Authorship at the Origins of the Italian Chivalric Epic

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Society for the Study of Medieval Languages and Literature, Dec 31, 2017 - Fiction - 304 pages

L’Entrée d’Espagne is a fourteenth century Franco-Italian poem, probably composed by its unknown Paduan author at the early Visconti court, which defined a literary trend of the Renaissance; by transforming a typical epic matter – Charlemagne’s conquest of Spain – into a chivalric poem, it successfully hybridized epic with classical sources, references to the Breton romances, and European conceptions (or misconceptions) of medieval Islam. This study traces the major influences upon this important work of art, including the backdrop of early fourteenth-century Northern Italian politics. It examines the gradual weakening of the figure of Charlemagne in the poem as a reflection, above all, of the diplomatic and military tensions between France and the early rulers of Milan. 

 

Contents

GENRE
1
Notions of the hybrid and the Romance epic
7
LEntrée dEspagne as an example of hybridism
14
LEntrée dEspagne and the classical tradition
51
THE MAIN CHARACTERS
95
Roland in LEntrée dEspagne and in the Chanson
110
Roland and the Saracens
117
Charlemagne in LEntrée dEspagne
124
The Saracen Pantheon
166
Saracens in LEntrée dEspagne
178
Roland in Syria
206
HISTORICAL CONTEXT AND TEXTUAL MATTERS
215
The second prologue
222
Ferragus birth
229
The question of authorship
238
The question of language
245

The question of authority
140
Roland returns to Spain
151
REPRESENTATIONS OF ISLAM
155
BIBLIOGRAPHY
259
INDEX OF NAMES
281
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