English Literary CriticismCharles Edwyn Vaughan |
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Page vii
... DRYDEN— II . Preface to the Fables , - SAMUEL JOHNSON- III . On the Metaphysical Poets , SAMUEL TAYLOR COLERIDGE- Page ix I 59 87 IV . On Poetic Genius and Poetic Diction , · 105 WILLIAM HAZLITT- v . On Poetry in General , 122 CHARLES ...
... DRYDEN— II . Preface to the Fables , - SAMUEL JOHNSON- III . On the Metaphysical Poets , SAMUEL TAYLOR COLERIDGE- Page ix I 59 87 IV . On Poetic Genius and Poetic Diction , · 105 WILLIAM HAZLITT- v . On Poetry in General , 122 CHARLES ...
Page xiii
Charles Edwyn Vaughan. The typical critic of the first period is Sidney ; Dryden opens and Johnson closes the second ; the third , a period of far more varied tendencies than either of the others , is perhaps most fitly represented by ...
Charles Edwyn Vaughan. The typical critic of the first period is Sidney ; Dryden opens and Johnson closes the second ; the third , a period of far more varied tendencies than either of the others , is perhaps most fitly represented by ...
Page xxvi
... escape altogether , he should have struck a note at once so deep and so strong as is sounded in the Apologie . II . In turning from Sidney to Dryden we pass into a different world . The philosophy , the moral xxvi TENTATIVE CRITICISM .
... escape altogether , he should have struck a note at once so deep and so strong as is sounded in the Apologie . II . In turning from Sidney to Dryden we pass into a different world . The philosophy , the moral xxvi TENTATIVE CRITICISM .
Page xxvii
... Dryden . Dryden is master of comparative criticism ; he has something of the his- torical method ; he is unrivalled in the art of seizing the distinctive qualities of his author and of setting them before us with the lightest touch ...
... Dryden . Dryden is master of comparative criticism ; he has something of the his- torical method ; he is unrivalled in the art of seizing the distinctive qualities of his author and of setting them before us with the lightest touch ...
Page xxix
... Dryden , of Congreve and Swift and Pope . Negative , on one side , the ideal of Restoration and Augustan poetry undoubtedly It was a reaction against the " unchartered freedom " , the real or fancied extravagances , of the Elizabethan ...
... Dryden , of Congreve and Swift and Pope . Negative , on one side , the ideal of Restoration and Augustan poetry undoubtedly It was a reaction against the " unchartered freedom " , the real or fancied extravagances , of the Elizabethan ...
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action admiration Æneas ancient artist Balliol College beauty Boccace Botticelli bound in cloth C. H. HERFORD Carlyle century character CHARLES ANNANDALE Chaucer cloth elegant cloth extra College colour comedy conceived Cowley criticism Crown 8vo Dante delight divine Donne doth Dryden Edited Elizabethan English Essay excellent expression F'cap 8vo faculty feeling genius give Goethe GORDON BROWNE Greek harmony hath heart heroic couplet heroic drama Homer human Illustrations imagination imitation JEROME HARRISON Johnson judgment knowledge language learned less literary literature live manner matter metaphysical poets Milton mind modern moral nature never object olivine Ovid painting passion Petrarch philosopher Plato pleasure poem poesy poetical poetry poets praise principles prose reason rhyme sense Shakespeare Sidney sith soul spirit story Strongly bound Tale things thou thought tion tragedy true truth verse Virgil virtue words writers
Popular passages
Page xlvii - All the images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned: he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Page 133 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 126 - O, now, for ever Farewell the tranquil mind ! farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, th...
Page 102 - To move, but doth if th' other do. And, though it in the centre sit, Yet, when the other far doth roam, It leans and hearkens after it, And grows erect as that comes home. Such wilt thou be to me, who must Like th
Page 163 - For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Page 124 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy ; Or, in the night, imagining some fear.
Page 87 - ... wrote rather as beholders than partakers of human nature ; as Beings looking upon good and evil, impassive and at leisure ; as Epicurean deities, making remarks on the actions of men, and the vicissitudes of life, without interest and without emotion. Their courtship was void of fondness, and their lamentation of sorrow. Their wish was only to say what they hoped had never been said before.
Page 23 - But he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the wellenchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play, and old men from the chimney-corner...
Page 8 - Nature never set forth the earth in so rich tapestry as divers poets have done, neither with so pleasant rivers, fruitful trees, sweet-smelling flowers, nor whatsoever else may make the too much loved earth more lovely. Her world is brazen, the poets only deliver a golden.
Page 169 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own.