The Works of the Late Edward Dayes |
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Page 287
... never the extent of ho- look well ; on the contrary , the height of the horizon should sel- rizon included , dom exceed one third of the picture , except on some extraordi- nary occasion . * Great care should also be taken , not to take ...
... never the extent of ho- look well ; on the contrary , the height of the horizon should sel- rizon included , dom exceed one third of the picture , except on some extraordi- nary occasion . * Great care should also be taken , not to take ...
Page 310
... never can be obtained by a single color . This is what the artist calls glazing , and can only be got by practice ; only the most warm and transparent colors are used for the purpose . Thus a green of blue and yellow would be raw ; but ...
... never can be obtained by a single color . This is what the artist calls glazing , and can only be got by practice ; only the most warm and transparent colors are used for the purpose . Thus a green of blue and yellow would be raw ; but ...
Page 331
... never lost sight of . The liveliness of his disposition carried him into the company of the bon vivants of the day ... never to have looked above Verrio , his master ; but before whom I must cer- tainly place him . It is very ...
... never lost sight of . The liveliness of his disposition carried him into the company of the bon vivants of the day ... never to have looked above Verrio , his master ; but before whom I must cer- tainly place him . It is very ...
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The Works of the Late Edward Dayes: Containing an Excursion Through the ... Edward Dayes No preview available - 2018 |
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Abbey ancient appear Archbishop of York artist Askrigg attention beauty Bolton Castle Brayley building called Castle character chiaro-oscuro Church color composition dark Dayes degree delight Derbyshire distance ditto drapery drawing Earl Edward EDWARD DAYES Edward Wedlake Brayley effect elegant engraved Essay excellence Farington figures Finish fore-ground Fountains Abbey Girtin grace grand ground Hence highly honor imitation Ingleborough inquiry John King knowledge landscape light and shade Lord Malham manner mass master means miles mind nature never noble objects observed ornamental painter painting Paul Veronese pencil Pennygent perfection picture picturesque portraits possess present produce Raphael Reynolds Rippon river river Aire river Ure road rocks Roman scenes shadows sketch Skipton spirit Street style sublime taste thing tion Titian tower town trees ture Venus de Medicis whole William York Yorkshire