The Adoring Audience: Fan Culture and Popular MediaFirst published in 1992. Routledge is an imprint of Taylor & Francis, an informa company. |
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Contents
| 9 | |
| 30 | |
| 50 | |
| 69 | |
| 84 | |
| 107 | |
Something More Than Love Fan Stories on Film | 135 |
Fans as Tastemakers Viewers for Quality Television | 163 |
Television Executives Speak about Fan Letters to the Networks | 185 |
A Glimpse of the Fan Factory | 191 |
Strangers No More We Sing Filking and the Social Construction of the Science Fiction Fan Community | 208 |
Index | 237 |
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Common terms and phrases
activity adolescent aesthetic audience Beatlemania Beatles become Cagney & Lacey campaign celebrity characterized characters child consumer context critical crowd David David Lee Roth defined desire discrimination dominant Elvis Presley Elvis's everyday fan community fan culture fan writing fan's fandom fannish fantasy fanzines feel female fans feminine filk sing filkers film film's forms gender girls groupies Hill Street Hill Street Blues identity ideology industry interests investment Jenkins Jerry letters lives Lou Grant male mass media mattering maps meanings media texts movie mundane musicians narrative newsletter obsessed organization participate particular performance pleasure popular culture production programs prohibition Quality Television relations relationship rock star role Rupert science fiction screaming sense sexual social songs specific St Elsewhere Star Trek story Swanson taste tastemaker teen teenage textual Van Halen Vanessa Viewers for Quality VQT's woman women York
