Characters of Shakespeare's Plays |
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Page 155
... take another Antony in her strong toil of grace ; " and a question has been
started which is the finest , that we do not pretend to decide . We can more easily
decide between Shakspeare and any other author , than between him and
himself .
... take another Antony in her strong toil of grace ; " and a question has been
started which is the finest , that we do not pretend to decide . We can more easily
decide between Shakspeare and any other author , than between him and
himself .
Page 167
This is a slave , whose easy borrow'd pride Dwells in the fickle grace of her he
follows :: Out , varlet , from my sight ! Cornwall . Wbat means your grace ? Lear .
Who stuck'd my servant ? Regan , I have good hope Thou did'st not know on't .
This is a slave , whose easy borrow'd pride Dwells in the fickle grace of her he
follows :: Out , varlet , from my sight ! Cornwall . Wbat means your grace ? Lear .
Who stuck'd my servant ? Regan , I have good hope Thou did'st not know on't .
Page 192
P. Henry . Swearest thou , ungracious boy ? henceforth ne'er look Thou art
violently carried away from grace : there is a devil haunts thee , in the likeness of
a fat old man ; a tun of man is thy companion . Why dost thou converse with that
trunk ...
P. Henry . Swearest thou , ungracious boy ? henceforth ne'er look Thou art
violently carried away from grace : there is a devil haunts thee , in the likeness of
a fat old man ; a tun of man is thy companion . Why dost thou converse with that
trunk ...
Page 201
The conversation between the Archbishop of Canterbury and the Bishop of Ely
relating to the sudden change in the manners of Henry V. is among the well
known Beauties of Shakspeare . It is indeed admirable both for strength and
grace .
The conversation between the Archbishop of Canterbury and the Bishop of Ely
relating to the sudden change in the manners of Henry V. is among the well
known Beauties of Shakspeare . It is indeed admirable both for strength and
grace .
Page 223
By holy Paul , they love his grace but lightly , That fill his ears with such
dissentious rumours : Because I cannot datter and look fair , Smile in men's faces
, smooth , deceive , and cog , Duck with French nods , and apish courtesy , I must
be held ...
By holy Paul , they love his grace but lightly , That fill his ears with such
dissentious rumours : Because I cannot datter and look fair , Smile in men's faces
, smooth , deceive , and cog , Duck with French nods , and apish courtesy , I must
be held ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections answer appear beauty better blood breath character comes common death doth equal eyes fall Falstaff father fear feeling fool force fortune friends genius give given grace hand hath hear heart heaven Henry honour Hubert human imagination interest keep kind king lady Lear less light live look lord Macbeth manner marked master means mind moral nature never night noble object once Othello passages passion perhaps person piece play pleasure poet poetry poor present Prince reason respect rich Richard scene seems sense Shakspeare Shakspeare's shew sleep soul speak speech spirit stage stand story striking sweet tell tender thee thing thou thou art thought tion true truth turn whole wife youth
Popular passages
Page 179 - This royal throne of kings, this scept'red isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Page 129 - And ye, that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites...
Page 54 - That Tiber trembled underneath her banks To hear the replication of your sounds Made in her concave shores ? And do you now put on your best attire, And do you now cull out a holiday, And do you now strew flowers in his way That comes in triumph over Pompey's blood? Begone ! Run to your houses, fall upon your knees, Pray to the gods to intermit the plague That needs must light on this ingratitude.
Page 253 - I am a Jew: hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by' the same means, warmed and cooled by the same winter and summer, as a Christian is?
Page 256 - Let me play the fool : With mirth and laughter let old wrinkles come, And let my liver rather heat with wine, Than my heart cool with mortifying groans. Why should a man, whose blood is warm within, Sit like his grandsire cut in alabaster?
Page 297 - Thou art by no means valiant; For thou dost fear the soft and tender fork Of a poor worm : Thy best of rest is sleep, And that thou oft provok'st; yet grossly fear'st Thy death, which is no more, Thou art not thyself...
Page 320 - When, in disgrace with Fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate. Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope.
Page 171 - I'll kneel down, And ask of thee forgiveness. So we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news ; and we'll talk with them too, Who loses,- and who wins ; who's in, who's out ; And take...
Page 172 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Page 156 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Bibliographic information
| Title | Characters of Shakespeare's Plays |
| Author | William Hazlitt |
| Edition | 2 |
| Publisher | Wells and Lilly, 1818 |
| Original from | Harvard University |
| Digitized | 8 Feb 2006 |
| Length | 323 pages |
| Export Citation | BiBTeX EndNote RefMan |