Wired for Sound: Engineering and Technologies in Sonic CulturesPaul D. Greene, Thomas Porcello Ethnographically-grounded studies of technology in global music. |
Contents
Introduction Wired Sound and Sonic Cultures | 1 |
Reaching Overseas South African Sound Engineers Technology and Tradition | 23 |
The Disc Is Not the Avenue Schismogenetic Mimesis in Samba Recording | 47 |
Nigel Pegrum DidjeriduFriendly Sections and What Constitutes an Indigenous CD An Australian Case Study of Producing World Music Recordings | 84 |
Music Mediated as Live in Austin Sound Technology and Recording Practice | 103 |
Media as Social Action Native American Musicians in the Recording Studio | 118 |
Engineering TechnoHybrid Grooves in Two Indonesian Sound Studios | 138 |
ShortCircuiting Perceptual Systems Timbre in Ambient and Techno Music | 156 |
Heaviness in the Perception of Heavy Metal Guitar Timbres The Match of Perceptual and Acoustic Features over Time | 181 |
Mixed Messages Unsettled Cosmopolitanisms in Nepali Pop | 198 |
The Soundscape of the Radio Engineering Modern Songs and Superculture in Nepal | 222 |
Music and the Rise of Radio in Twenties America Technological Imperialism Socialization and the Transformation of Intimacy | 245 |
Afterword | 269 |
List of Contributors | 283 |
285 | |
Other editions - View all
Wired for Sound: Engineering and Technologies in Sonic Cultures Paul D. Greene,Thomas Porcello Limited preview - 2012 |
Wired for Sound: Engineering and Technologies in Sonic Cultures Paul D. Greene,Thomas Porcello Limited preview - 2005 |