Swann's Way

Front Cover
Echo Library, 2006 - Fiction - 332 pages
13 Reviews
1928. Introduction by Lewis Galantiere. Swann's Way is the first volume of Proust's life work, Remembrance of Things Past. Independently it is a unique and stimulating novel, but in a larger sense, it is an overture to a magnificent symphony, announcing its theme and mood and bringing into being its empire and notable character creations. The narrator is presumably the young Marcel Proust who divides his recollections between his boyhood at his family's country house at Combray and his parents' friend Charles Swann, an art connoisseur. In fact, the path that passes Swann's house, being one of two ways the narrator's family likes to take when they go for walks, gives the book its title. Proust uses the theme of unrequited love to draw a parallel between his young narrator's infatuation with Swann's red-haired daughter Gilberte and Swann's turbulent affair with a woman named Odette de Crecy. Proust's elegant prose makes this a classic work of art.

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Review: Swann's Way (À la recherche du temps perdu #1)

User Review  - Cheryl Kennedy - Goodreads

This is a second reading of Marcel Proust's masterpiece, SWANN'S WAY. I will offer an overview of the happenings of this first volume of seven. Essentially, there is an opening stanza or overture ... Read full review

Review: Swann's Way (À la recherche du temps perdu #1)

User Review  - Riku Sayuj - Goodreads

“As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image.” ~ James Joyce, Ulysses “The ... Read full review

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About the author (2006)

Proust is one of the seminal figures in modern literature, matched only in stature by Joyce, Woolf, Mann and Kafka. By the last decade of the 19th century, the charming and ambitious Proust, born into a wealthy bourgeois family, was already a famous Paris socialite who attended the most fashionable salons of the day. The death of his parents in the early years of the 20th century, coupled with his own increasingly ill health, made of Proust a recluse who confined himself to his cork-lined bedroom on the Boulevard Haussmann. There he concentrated on the composition of his great masterpiece, Remembrance of Things Past (1913-27). In recent years, it was discovered that he had already prepared a first draft of the work in the 1890s in Jean Santeuil, which was only published posthumously in 1952. Remembrance of Things Past resists summary. Seeming at turns to be fiction, autobiography, and essay, Remembrance is a vast meditation on the relationship between time, memory, and art. In it the narrator, who bears the same first name as the author, attempts to reconstruct his life from early childhood to middle age. In the process, he surveys French society at the turn of the century and describes the eventual decline of the aristocracy in the face of the rising middle class. The process of reconstruction of Marcel's past life is made possible by the psychological device of involuntary memory; according to this theory, all of our past lies hidden within us only to be rediscovered and brought to the surface by some unexpected sense perception. In the final volume of the work, the narrator, who has succeeded in recapturing his past, resolves to preserve it through the Work of Art, his novel. He died of pneumonia and a pulmonary abscess in 1922. He was buried in the Père Lachaise Cemetery in Paris.

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