Art Of Cinema
As a film-maker and film historian, B.D. Garga has closely witnessed and participated in the growth of Indian cinema from the early 1940s. With more than fifty years’ experience as a film journalist, and having served on various national and international film festival juries, he is probably India’s foremost authority on the subject of cinema. In this extraordinary collection of essays, Garga delves into the vast repertoire of his scholarship and experience to provide an insider’s view of Indian and international cinema over the years. Even as he discusses the contribution of men behind the screen—the director, editor, cinematographer—he profiles some of the greatest masters of Indian cinema, like Himansu Rai and P.C. Barua, Bimal Roy and Raj Kapoor, while critically analysing some classic films from the golden era of cinema in India—Devdas (1935) and Sant Tukaram (1936) to Mother India (1957) and Mughal-e-Azam (1960). Embellished with over forty exquisite and vintage photographs from the author’s private collection, The Making of Great Cinema also contains fascinating essays that highlight the contribution of the Soviet masters to international cinema; address important issues like film censorship, sex in Indian films and the relationship between film and politics; and provide a memorable account of the origins of cinema in India and the country’s many cinematic milestones.
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Achhut actors advent of sound Anarkali artistic Ashok Asif audience Barua Bengali Bergman Bigha Zamin Bimal Roy Bimal Roy’s Bombay Talkies Bose’s box office British Calcutta camera cameraman cast censors Chandralekha character Cinematograph colour creative critic dance death Debaki Bose Devdas Devika Rani dialogue director documentary dramatic Duniya Na Mane Dutt’s Eisenstein emotional Film Company film-maker film’s Films Division Gandhi Garga girl Guru Dutt Hindi Hindu Hollywood Indian cinema Indian film Ivan the Terrible K.A. Abbas K.L. Saigal Kamaal Kanan Devi later literary living Modi Mosfilm Mughal Mughal-e-Azam Nargis Nitin novel painter Parvati Pather Panchali play poet political popular Prabhat produced Pudovkin Raj Kapoor Ramshastri Ray’s Renoir role Saratchandra Satyajit Ray scene screen sequence Shantaram shooting shot social Sohrab songs Soviet cinema story studio style success Tagore talent technique theatre theatrical theme tradition tragedy Tsar Tukaram Vidyapati village visual woman writer wrote young