Indi'n Humor: Bicultural Play in Native America
Drawing upon history, psychology, folklore, linguistics, anthropology, and the arts, this book challenges "wooden Indian" stereotypes to redefine negative attitudes and humorless approaches to Native American peoples. Moving from tribal culture to interethnic literature, Lincoln covers the traditional Trickster of origin myths, historical ironies, Euroamericans "playing Indian," feminist Indian humor at home, contemporary painters and playwrights reinventing Coyote, popular mixed-blood music and Red English, and three Native American novelists, Louise Erdrich, James Welch, and N. Scott Momaday. Indi'n Humor documents and interprets the contexts of laughter among Native Americans, as they see and are seen by the rest of the world. The study comes to focus comically on the poets, visual artists, playwrights, and novelists who make up the cultural renaissance of the past twenty years.
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1 RedWhite American
2 Historical Slippage
3 Playing Indian
4 Old Tricks New Twists
5 Feminist Indins
Momaday and Norman
Other editions - View all
Allen American Indian Anglo animal Apache artist Beet Queen bisociative Black Elk cartoon century ceremonial Chippewa clown comedy comic context Coyote Coyote's coyotess Cree cultural dance dark dark comic Dawn death Deloria English Erdrich ethnic Euroamerican father feminist fiction fool Freud funny Geiogamah Gerald Vizenor Gerry Harry Fonseca heyoka Hopi Huizinga human Indi’n humor intercultural John joke Kashpaw Kiowa Lakota Lame Deer language laugh laughter Lipsha live Louise Erdrich Love Medicine Lulu Maidu Mary mixed-blood Momaday Momaday's mother mythic myths Nanapush Native American Navajo Nector non-Indian novel pain Paula Paula Gunn Allen play Pueblo ritual sacred says Scott Momaday seems sense of humor shaman Silko Sioux spirit story survival talk tell there’s things tion Tosamah traditional tribal tribes Trickster Vine Deloria vision warrior Welch Western wild winter woman women word writing
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