The Technique of Inner Action: The Soul of a Performer's WorkThis book focuses on the inner work of a performer. It takes up where Stanislavski's study of inner work left off and then expands inner action into a comprehensive discipline for developing an inner technique as precise and concrete as those use to develop external skills like voice and movement. Bill Bruehl argues that authentic emotions are expressed when performers focus on the internal aspirations of their character and on the flow of actions in the play. Mastery of inner action allows a performer to interpret a character with clarity, maximize creative potential, and insure authentic expression of emotion and spontaneity in performance. |
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Page 77
... Stella Adler , Terry Schreiber , and Michael Kahn . The naysayers are few and their influence has been negligible , but even though the idea of objectives A Historical Sketch 77.
... Stella Adler , Terry Schreiber , and Michael Kahn . The naysayers are few and their influence has been negligible , but even though the idea of objectives A Historical Sketch 77.
Page 93
The Soul of a Performer's Work Bill Bruehl. Adler , Stella . 1960. “ The Art of Acting . " The Theatre 2 , no . 4 ( April ) . 1964. " The Reality of Doing . " Tulane Drama Review 9 , no . 1 ( Fall ) . 1988. The Technique of Acting . New ...
The Soul of a Performer's Work Bill Bruehl. Adler , Stella . 1960. “ The Art of Acting . " The Theatre 2 , no . 4 ( April ) . 1964. " The Reality of Doing . " Tulane Drama Review 9 , no . 1 ( Fall ) . 1988. The Technique of Acting . New ...
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... Stella Adler and others who have given inner work its deserved priori- ty , mastery of the flow of inner action - a skill ignored through- out much of the history of theatre - is now widely accepted with- in the theatre by professional ...
... Stella Adler and others who have given inner work its deserved priori- ty , mastery of the flow of inner action - a skill ignored through- out much of the history of theatre - is now widely accepted with- in the theatre by professional ...
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Common terms and phrases
accept achieve Acting activities actor actor playing anger appropriate articulate Arts audience authentic beat become begin behavior believe Books bring character character's choice choose circumstances collaborative comes concern confusion Consider craft created creative decide define develop director emotional entire event everything example experience exploration expression external fact feel flow flow of inner follow forms give given Hamlet hand happen human ideas important inner action intention interest interpretation intuitive keep kind Lady leads lines lives look Macbeth master meaning mind move movement never objective ourselves performance play playwright possibilities preparation Press problem pursue reason rehearsal requires response risk says scene script sense Shakespeare skilled speech spontaneous stage Stanislavski stop struggle success superobjective talking task teachers technique of inner tells theater thing true trying understand York
References to this book
Theater: sound space, visual space International Federation for Theatre Research Limited preview - 2003 |