The Technique of Inner Action: The Soul of a Performer's WorkThis book focuses on the inner work of a performer. It takes up where Stanislavski's study of inner work left off and then expands inner action into a comprehensive discipline for developing an inner technique as precise and concrete as those use to develop external skills like voice and movement. Bill Bruehl argues that authentic emotions are expressed when performers focus on the internal aspirations of their character and on the flow of actions in the play. Mastery of inner action allows a performer to interpret a character with clarity, maximize creative potential, and insure authentic expression of emotion and spontaneity in performance. |
From inside the book
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Page 41
... experience , analysis may have been limited to how a char- acter feels or what a character wants to be . While we want to know these important circumstances , knowing them is only part of the task . The actor also has to articulate the ...
... experience , analysis may have been limited to how a char- acter feels or what a character wants to be . While we want to know these important circumstances , knowing them is only part of the task . The actor also has to articulate the ...
Page 61
... experience who , after much urging from a friend , had relctantly auditioned for and been cast in a campus produc- tion . Her performance turned out to be a brilliant success . After this , Rebecca , like many other undergraduates who ...
... experience who , after much urging from a friend , had relctantly auditioned for and been cast in a campus produc- tion . Her performance turned out to be a brilliant success . After this , Rebecca , like many other undergraduates who ...
Page 85
... experience . True , they will feel badly , but they can blame the problem on the play- wright or the director if they want to deny their own responsibility . Have you gone to see a dramatic play and experienced each new scene as real ...
... experience . True , they will feel badly , but they can blame the problem on the play- wright or the director if they want to deny their own responsibility . Have you gone to see a dramatic play and experienced each new scene as real ...
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Common terms and phrases
achieve actor playing actress anger appropriate articulate audience authentic beat become begin behavior Beijing opera Boleslavsky character actions character wants character's inner actions choice choose craft creative decide develop director drama emotional event experience exploration expression feel flow of action flow of inner flow of responses given circumstances go on stage Hamlet happen Hill and Wang Ibid improvisation intuitive Jerzy Grotowski Katherine Lady Macbeth Lee Strasberg mance Masha master meaning to words Medvedenko Merrick Mihaly Csikszentmihalyi mood Moscow Art Theater move movement Nina objective Oedipus ourselves partner performance Petruchio player playwright possibilities problem protagonist risk Roy Cohn says scene script Shakespeare skilled actor speech spontaneous response Stanislavski Stanislavski System Stanislavski's insight structure of action struggle subobjective superobjective tactics technique of inner theater Theatre Arts Books thing Trepleff Treves Treves's Trigorin trying Tulane Drama Review wants to win York
References to this book
Theater: sound space, visual space International Federation for Theatre Research Limited preview - 2003 |