Ner SCENE X. Changes to Belmont. Enter Neriffa with a Servant. UICK, quick-I pray thee, draw the curtain ftrait ; The Prince of Arragon has ta'en his oath, And comes to his election presently. Enter Arragon, his train, Portia. Flourish of Cornets. The Cafkets are difcover'd. Por. Behold, there ftand the caskets, noble Prince; If you chufe that, wherein I am contain'd Strait fhall our nuptial rites be folemniz'd : But if you fail, without more speech, my lord, You must be gone from hence immediately. Ar. I am enjoin'd by oath t'observe three things. Which cafket 'twas I chofe. Next, if I fail Por. To thefe injunctions every one doth fwear, Το my heart's hope !-Gold, filver, and base lead. Ev'n in the force and road of casualty. Because Because I will not jump with common fpirits, Without the ftamp of merit? let none presume O, that eftates, degrees, and offices, Were not deriv'd corruptly, that clear honour To be new varnish'd (6) well, but to my choice : (5) How much low peafantry would then be glean'd From the true feed of bonour ?] The meaning is How much meanness would be found among the great, and how much greatness: among the mean. But fince men are always faid to glean corn though. they may pick chaff, the fentence had been more agreeable to the common manner of speech if it had been written thus, How much low peasantry would then be pick'd (6) baru much bonour ---- Pickt from the chaff and ruin of the times, To be new varnish'd?] This confufion and mixture of the metaphors, makes me think that Shakespeare wrote, To be new vanned. i. e. winnow'd, purged from the French word, vanner; which is derived from the Latin Vannus, ventilubrum, the fann used for winnowing the chaff from the corn. This alteration reftores the metaphor to its integrity and our poet frequently uses the fame thought. So in the 2d part of Henry IV. We jhall be winnow'd with fo rough a wind, WARBURTON.. I will I will affume defert; give me a key for this, Por. Too long a pause for that which you find there. [Unlocking the filver casket. Ar. What's here! the portrait of a blinking idiot, Prefenting me a schedule? I will read it. How much unlike art thou to Portia ? Ar. What is here ? The fire fev'n times tried this; That did never chufe amifs. Some there be, that fbadors kifs Ar. Still more fool I fhall appear,. With one fool's head I came to woo, Sweet, adieu! I'll keep my oath, [Exit. Por. Thus hath the candle fing'd the moth. Hanging and wiving goes by deftiny. } (7) Take what wife you will to bed,] Perhaps the poet had forgotten that he who miffed Portia was never to marry any woman. Enter Enter a Servant. Serv. Where is my lady? Por. Here, what would my lord ? thee; I pray am A day in April never came fo fweet, Quick Cupid's poft, that comes fo mannerly. [Exeunt. ACT III. SCENE I. A Street in Venice. Enter Salanio, and Solarino.. SOLARINO. OW, what news on the Rialto? Now Sal. Why, yet it lives there uncheckt, that Anthonio hath a fhip of rich lading wreckt on the narrow feas; the Godwins, I think, they call the place; a very dangerous flat and fatal, where the carcafes of many a tall fhip lye bury'd, as they say, if my goflip Report be an honeft woman of her word. Sola. I would he were as lying a goffip in that, as ever knapt ginger; or made her neighbours believe, the wept wept for the death of a third husband. But it is true, without any flips of prolixity, or croffing the plain highway of talk, that the good Anthonio, the honeft Anibo-O that I had a title good enough to keep his name company! nio Sal. Come, the full stop. Sola. Ha, what fay'ft thou ?-why, the end is, he hath loft a ship. Sal. I would it might prove the end of his loffes. Sola. Let me fay Amen betimes, left the devil cross thy prayer, (8) for here he comes in the likeness of a Few. Enter Shylock. How now, Shylock, what news among the merchants? Shy. You knew (none fo well, none fo well as you) of my daughter's flight. Sal. That's certain; I, for my part, knew the taylor that made the wings fhe flew withal. Sola. And Shylock, for his own part, knew the bird was fledg'd, and then it is the complexion of them all to leave the dam. Shy. She is damn'd for it. Sal. That's certain, if the devil may be her judge. Sola. Out upon it, old carrion, rebels it at these Shy. I fay, my daughter is my flesh and blood. Sal. There is more difference between thy flesh and hers, than between jet and ivory; more between your bloods, than there is between red wine and rhenish but tell us, do you hear, whether Anthonio have had any lofs at fea or no? Shy. There I have another bad match; a bankrupt, a prodigal, (9) who dares fcarce fhew his head on (8) - left the Devil cross my Prayer,] But the Prayer was Salanio's. The other only, as Clerk, fays Amen to it. We must therefore read WARBURTON. thy Prayer. (9) A bankrupt, a prodigal,] This is fpoke of Antbonis. But why a prodigal his friend Baanio indeed had been too liberal; and |