That my sense breeds with it. (5) [To Ifab.] Fare you well. Ifab. Gentle, my lord, turn back. Ang. I will bethink me. Come again to-morrow. Ifab. Hark, how I'll bribe you: good my lord, turn back. Ang. How bribe me? Ifab. Ay, with fuch gifts, that heav'n fhall share with you. Lucio. You had marr'd all else. [Afide.. Ifab. Not with fond thekels of the tefted gold, (6) Or ftones, whofe rates are either rich, or poor, As fancy values them; but with true prayers, That fhall be up at heav'n and enter there, Ere fun-rife; prayers from preferved fouls, (7) From fafting maids, whofe minds are dedicate To nothing temporal. Ang. Well; come to-morrow. Lucio. Go to; 'tis well; [Afide to Isabel.] away. For I am that way going to temptation, [Afide. Ifab. (5) That my fenfe breeds with it.] Thus all the folios. Some later Editor has changed breeds to bleeds, and Dr. Warburton blames poor Mr. Theobald for recalling the old word, which yet is certainly right. My fenfe breeds with her fenfe, that is, new thoughts are firring in my mind, new conceptions are batched in my imagination. So we fay to brood over thought. (6) tested gold,] i. e. attefted, or marked with the standard ftamp. WARBURTON. Rather copelled, brought to the reft, refined. (7) preferved foul, 1. e. preferved from the corruption of the world. The metaphor is taken from fruits preferved in fugar. (8) I am that way going to temptation, Where prayers crofs.] WARBURTON. Which way Angelo is going to temptation, we begin to perceive, but how prayers cross that way, or cross each other, at that way, more than any other, I do not understand. Ifabella prays that his honour may be fafe, meaning only to give him his title: his imagination is caught by the word bonour: he feels that his honour is in danger, and therefore, I believe, answers 1..3 : I am Ifab. At what hour to-morrow Shall I attend your lordship? Ang. At any time 'fore noon. Ifab. Save your Honour ! [Exe. Lucio and Label. SCENE VIII. Ang. From thee; even from thy virtue. Do, as the carrion does, not as the flower, Than woman's lightnefs? having waste ground enough, And pitch our evils there? oh, fie, fie, fie! When judges fteal themfelves. What? do I love her, And feaft upon her eyes? what is't I dream on? I am that way going to temptation, That is, I am tempted to lose that honour of which thou implorest the prefervation. The temptation under which I labour is that which thou. haft unknowingly thwarted with thy prayer. He uses the fame mode of language a few lines lower. Ifabella, parting, fays, Save your honour.. Angelo catches the word-Save it! From what? From thee, even from thy virtue, (9) it is 1, That lying by the violet in the fun, &c.] I am not corrupted by her, but by my own heart, which excites foul defires under the fame beniga influences that exalt her purity; as the carrion grows putrid by those beams which encrease the fragrance of the violet. To To fin in loving virtue. Ne'er could the ftrumpet, When men were fond, I fmil'd, and wonder'd how. (1) SCENE IX. [Exit. Changes to a Prison. Duke. Enter Duke habited like a Friar, and Provost. H Duke. Bound by my charity, and my bleft Order, I come to vifit the afflicted spirits Here in the prifon; do me the common right To let ine fee them, and to make me know The nature of their crimes; that I may minifter To them accordingly. Prov. I would do more than that, if more were needful. Enter Juliet. Look, here comes one; a gentlewoman of mine Than die for this. Duke. When must he die ? Prov. As I do think, to-morrow. I have provided for you; ftay a while, [To Juliet. (1) Ifmil'd and wonder'd bow ] As a day muft now intervene between this conference of Ifabella with Angelo, and the next, the act might more properly end here, and here, in my opinion, it was ended by the poet. (2) Who falling in the flaws of her own youth, Hath blifter'd ber report: Who doth not fee that the integrity of the metaphor requires we should read FLAMES of her own youth? WARBURTON. Who does not fee that upon fuch principles there is no end, of correction ? And And you fhall be conducted. Duke. Repent you, fair one, of the fin you carry? And try your penitence, if it be found, Or hollowly put on. Juliet. I'll gladly learn. Duke. Love you the man that wrong'd you? Juliet. Yes, as I love the woman that wrong'd him. Duke. So then, it feems, your most offenceful act: Was mutually committed. Juliet. Mutually. Duke. Then was your fin of heavier kind than his. Juliet. I do confefs it, and repent it, father. Duke. 'Tis meet fo, daughter; but repent you not, As that the fin hath brought you to this fhame, Which forrow's always tow'rds ourfelves, not heav'n ; Shewing, we'd not feek heaven, as we love it, But as we ftand in fear.. Juliet. I do repent me, as it is an evil; And take the shame with joy. Duke. There reft.. (3) Your partner, as I hear, muft die to-morrow, And I am going with inftruction to him. So, grace go with you! benedicite. [Exit: Juliet. Muft die to morrow! oh, injurious love, (4) That refpites me a life, whofe very comfort Is ftill a dying horror!. Prov. 'Tis pity of him. SCENE X. Changes to the Palace. Enter Angelo. (Exit. Ang: WHEN I would pray and think, I think and pray (3) There reft.] Keep yourfelf in this temper. ob, injurious love,] Her execution was refpited on account of her pregnancy, the effects of her love: therefore the calls it injurious; not that it brought her to fhame, but that it hindered her freeing herself from it. Is not this all very natural? yet the Oxford' Editor changes it to injurious law. To To fev'ral fubjects: heav'n hath my empty words, And in my heart the ftrong and fwelling evil Of my conception. The ftate, whereon I ftudied, Grown fear'd and tedious; (6) yea, my gravity, * "I'is (5) Whilst my intention,] Nothing can be either plainer or exacter than this expreffion. But the old blundering Folio having it, invention, this was enough for Mr. Theobald to prefer authority to fenfe. WARBURTON. (6) Grown FEAR'D and tedicus;] We fhould read SEAR'D: i. e. old. So Shakespear ules, in the fear, to fignify old age. WARBURTON. I think fear'd may stand, what we go to with reluctance may be faid to be fear'd. *Cafe, For ourfide; garb; external flew. (7) Wrench are from fools, and tie the wifor fouls To thy falfe feeming Here Shakespear judicioufly diftinguishes the different operations of high place upon different minds. Fools are frighted, and wife men are affured. Those who cannot judge but by the eye, are easily awed by splendour, those who confider men as well as conditions, are easily perfuaded to love the appearance of virtue dignified with power. (8) Let's write good angel on the devil's horn; 'Tis not the devil's creft.] i. e. Let the most wicked thing have but a virtuous pretence, and it fhall pafs for innocent. This was his conclufion from his preceding words, ob form! How often doft theu with thy cafe, thy habit, Wrench are from focls, and the the wiser fouls To thy falfe feeming ? But the Oxford Editor makes him conclude juft counter to his own premiles; by altering it to. Ist not the devil's craft? So that, according to this alteration, the reafoning ftands thus.-Falle feeming wrenches awe from fools, and deceives the wife. Therefore |