Romeo and JulietThe Tragedy Romeo and Juliet is about love between a young man and woman from two feuding families, the Montagues and the Capulets. The authenticity of this story is not confirmed, but historical signs and life motives from the Italian background of the plot tell that there was a certain truth in a sad story about lovers from Verona. Romeo and Juliet is the most famous tragedy of Shakespeare, e.g. everybody heard this line: “For never was a story of more woe / Than this of Juliet and her Romeo.” |
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... Shakespeare. both houses; Maskers, Guards, Watchmen and Attendants. SCENE. During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua. Chorus. The Prologue Enter Chorus. Two households, both alike in.
... Shakespeare. both houses; Maskers, Guards, Watchmen and Attendants. SCENE. During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua. Chorus. The Prologue Enter Chorus. Two households, both alike in.
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... , nought could remove, Is now the two hours' traffic of our stage; The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend. [Exit.] Act I Scene I A public place. Enter Sampson and The Prologue ...
... , nought could remove, Is now the two hours' traffic of our stage; The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend. [Exit.] Act I Scene I A public place. Enter Sampson and The Prologue ...
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William Shakespeare. Scene. I. A public place. Enter Sampson and Gregory armed with swords and bucklers. Sampson. Gregory, on my word, we'll not carry coals. Gregory. No, for then we should be colliers. Sampson. I mean, if we be in choler ...
William Shakespeare. Scene. I. A public place. Enter Sampson and Gregory armed with swords and bucklers. Sampson. Gregory, on my word, we'll not carry coals. Gregory. No, for then we should be colliers. Sampson. I mean, if we be in choler ...
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... Enter Abram and Balthasar. Sampson. My naked weapon is out: quarrel, I will back thee. Gregory. How? Turn thy back and run? Sampson. Fear me not. Gregory. No, marry; I fear thee! Sampson. Let us take the law of our sides; let them begin ...
... Enter Abram and Balthasar. Sampson. My naked weapon is out: quarrel, I will back thee. Gregory. How? Turn thy back and run? Sampson. Fear me not. Gregory. No, marry; I fear thee! Sampson. Let us take the law of our sides; let them begin ...
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art thou Balthasar banished bear beauty Benvolio blood breath cell child comes County cousin daughter dead dear death dost doth early ears earth Enter Exeunt Exit eyes face fair faith fall Farewell father fear flower Friar Lawrence give gone grave Gregory grief hand hate hath head hear heart heaven hence Hold holy hour I’ll Juliet keep kiss Lady Capulet leave letter lies light lips live look lord Madam maid married means Mercutio Montague mother move musician never night Nurse Paris peace Peter poor pray Prince rest Romeo Sampson Scene Second Servant slain sleep soul sound speak stand stay sweet tears tell thee thing thou art thou hast thou wilt tonight true Turn Tybalt villain watch weep wife young