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be wondered at that we find so few publications on general subjects, than that we find any at all. The whole number of the Greeks, scattered up and down the Turkish empire and elsewhere, may amount, at most, to three millions; and yet, for so scanty a number, it is impossible to discover any nation with so great a proportion of books and their authors, as the Greeks of the present century. "Ay, but," say the generous advocates of oppression, who, while they assert the ignorance of the Greeks, wish to prevent them from dispelling it, "ay, but these are mostly, if not all, ecclesiastical tracts, and consequently good for nothing." Well, and pray what else can they write about? It is pleasant enough to hear a Frank, particularly an Englishman, who may abuse the government of his own country, or a Frenchman, who may abuse every government except his own, and who may range at will over every philosophical, religious, scientific, skeptical, or moral subject, sneering at the Greek legends. A Greek must not write on politics, and cannot touch on science for want of instruction; if he doubts, he is excommunicated and damned: therefore his countrymen are not poisoned with modern philosophy; and as to morals, thanks to the Turks! there are no such things. What then is left him, if he has a turn for scribbling? Religion, and holy biography: and it is natural enough that those who have so little in this life should look to the next. It is no great wonder, then, that in a catalogue now before me of fifty-five Greek writers, many of whom were lately living, not above fifteen should have touched on anything but religion. The catalogue alluded to is contained in the twenty-sixth chapter of the fourth volume of Meletius's Ecclesiastical History. From this I subjoin an extract of those who have written on general subjects.

George Ventote, a lexicon in French, Italian, and Romaic.

There exist several other dictionaries in Latin and Romaic, French, etc.; besides grammars, in every modern language except English.

Amongst the living authors the following are most celebrated: +

Athanasius Parios has written a treatise on rhetoric in Hellenic.

Christodoulos, an Arcarnanian, has published, in Vienna, some physical treatises in Hellenic.

Panagiotes Kodrikas, an Athenian, the Romaic translator of Fontenelle's "Plurality of Worlds" (a favorite work amongst the Greeks), is stated to be a teacher of the Hellenic and Arabic languages in Paris; in both of which he is an adept.

Athanasius, the Parian, author of a treatise on rhetoric. Vicenzo Damodos, of Cephalonia, has written "eis rò μeσoßapßapov," on logic and physics.

John Kamarases, a Byzantine, has translated into French Ocellus on the Universe. He is said to be an excellent Hellenist and Latin scholar.

Gregorio Demetrius published, in Vienna, a geographical work; he has also translated several Italian authors, and printed his versions at Venice.

Of Coray and Psalida some account has been already given.

LIST OF ROMAIC AUTHORS.*

Neophitus, diakonos (the deacon) of the Morea, has published an extensive grammar, and also some political regulations, which last were left unfinished at his death.

Prokopius, of Moscopolis (a town in Epirus), has written and published a catalogue of the learned Greeks.

Seraphin, of Periclea, is the author of many works in the Turkish language, but Greek character; for the Christians of Caramania, who do not speak Romaic, but read the character.

Eustathius Psalida, of Bucharest, a physician, made the tour of England for the purpose of study (xáρiv μałńσews); but though his name is enumerated, it is not stated that he has written any thing.

Kallinikus Torgeraus, patriarch of Constantinople: many poems of his are extant, and also prose tracts, and a catalogue of patriarchs since the last taking of Constantinople.

Anastasius Macedon, of Naxos, member of the royal academy of Warsaw. A church biographer.

Demetrius Pamperes, a Moscopolite, has written many works, particularly "A Commentary on Hesiod's Shield of Hercules," and two hundred tales (of what is not specified), and has published his correspondence with the celebrated George of Trebizond, his contemporary.

Meletius, a celebrated geographer; and author of the book from whence these notices are taken.

Dorotheus, of Mitylene, an Aristotelian philosopher: his Hellenic works are in great repute, and he is esteemed by the moderns (I quote the words of Meletius) μerà TOV OOVκυδίδην καὶ Ξενοφώντα ἄριστος ̔Ελλήνων. I add further, on the authority of a well-informed Greek, that he was so famous amongst his countrymen that they were accustomed to say, if Thucydides and Xenophon were wanting, he was capable of repairing the loss.

Marinus Count Tharboures, of Cephalonia, professor of chemistry in the academy of Padua, and member of that academy, and those of Stockholm and Upsal. He has published, at Venice, an account of some marine animal, and a treatise on the properties of iron.

Marcus, brother to the former, famous in mechanics. He removed to St. Petersburg the immense rock on which the statue of Peter the Great was fixed in 1769. See the dissertation which he published in Paris, 1777.

SCENE FROM O ΚΑΦΕΝΕΣ.

TRANSLATED FROM THE ITALIAN OF GOLDONI, BY SPIRIDION VLANTI.

Platzida, from the Door of the Hotel, and the others.

Pla. Oh, God! from the window it seemed that I heard my husband's voice. If he is here, I have arrived in time to make him ashamed. [A servant enters from the shop.] Boy, tell me, pray, who are in those chambers.

Serv. Three gentlemen: one, Signor Eugenio; the other. Signor Martio, the Neapolitan; and the third, my lord, the count Leander Ardenti.

Pla. Flaminio is not amongst these, unless he has changed his name.

Leander [within drinking]. Long live the good fortune of Signor Eugenio!

[The whole company. Long live, etc.] (Literally, Nà Sî, và (j, May he live.)

Pla. Without doubt that is my husband. [To the serv.] My good man, do me the favor to accompany me above to those gentlemen: I have some business.

Serv. At your commands. [Aside.] The old office of us waiters. He goes out of the gaming-house.] Ridolpho [to Victoria on another part of the stage]. Courage, courage, be of good cheer, it is nothing.

Victoria. I feel as if about to die. [Leaning on him as if fainting.]

[From the windows above all within are seen rising from table in confusion: Leander starts at the sight of Platzida, and appears by his gestures to threaten her life.] Eugenio. No, stop

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Eugenio. No, that shall never be. You are a scoundrel to George Constantine has published a four-tongued lexi- your wife, and I will defend her to the last drop of my

con.

* It is to be observed that the names given are not in chronological order, but consist of some selected at a venture from amongst those

blood.

who flourished from the taking of Constantinople to the time of Meletius.

†These names are not taken from any publication.

Leander. I will give you cause to repent this. [Menacing with his sword.]

Eugenio. I fear you not. [He attacks Leander, and makes him give back so much, that, finding the door of the dancinggirl's house open, Leander escapes through, and so finishes.]

Don Juan.

NOTE 49.

LETTER TO THE EDITOR OF "MY GRANDMOTHER'S REVIEW."*

MY DEAR ROBERTS.

As a believer in the church of England-to say nothing of the state-I have been an occasional reader and great admirer of, though not a subscriber to, your Review, which is rather expensive. But I do not know that any part of its contents ever gave me much surprise till the eleventh article of your twenty-seventh number made its appearance. You have there most vigorously refuted a calumnious accusation of bribery and corruption, the credence of which in the public mind might not only have damaged your reputation as a clergyman+ and an editor, but, what would have been still worse, have injured the circulation of your journal; which, I regret to hear, is not so extensive as the "purity" (as you well observe) "of its, etc., etc., etc.," and the present taste for propriety, would induce us to expect. The charge itself is of a solemn nature, and, although in verse, is couched in terms of such circumstantial gravity, as to induce a belief little short of that generally accorded to the thirty-nine articles, to which you so frankly subscribed on taking your degrees. It is a charge the most revolting to the heart of man from its frequent occurrence; to the mind of a statesman, from its occasional truth; and to the soul of an editor, from its moral impossibility. You are charged then in the last line of one octave stanza, and the whole eight lines of the next, viz., 209th and 210th of the first canto of that "pestilent poem" Don Juan, with receiving, and still more foolishly acknowledging the receipt of, certain moneys, to eulogize the unknown author, who by this account must be known to you, if to nobody else. An impeachment of this nature so seriously made, there is but one way of refuting; and it is my firm persuasion, that whether you did or did not (and I believe that you did not) receive the said moneys, of which I wish he had specified the sum, you are quite right in denying all knowledge of the transaction. If charges of this nefarious description are to go forth, sanctioned by all the solemnity of circumstance, and guaranteed by the veracity of verse (as Counsellor Phillips would say), what is to become of readers hitherto implicitly confident in the not less veracious prose of our critical journals? what is to become of the reviews? And, if the reviews fail, what is to become of the editors? It is common cause, and you have done well to sound the alarm. I myself, in my humble sphere, will be one of your echoes. In the words of the tragedian, Liston, "I love a row," and you seem justly determined to make

one.

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It is barely possible, certainly improbable, that the writer might have been in jest; but this only aggravates his crime. A joke, the proverb says, breaks no bones;" but it may break a bookseller, or it may be the cause of bones being broken. The jest is but a bad one at the best for the author, and might have been a still worse one for you, if your copious contradiction did not certify to all whom it may concern your own indignant innocence, and the immaculate purity of the British Review. I do not doubt your word, my dear Roberts; yet I cannot help wishing that, in a case of such

* "Bologna, Aug. 23, 1819.-I send you a letter to Roberts, signed 'Wortley Clutterbuck,' which you may publish in what form you please, in answer to his article. I have had many proofs of men's absurdity, but he beats all in folly. Why, the wolf in sheep's clothing has tumbled into the very trap!"-Lord Byron to Mr. Mur

ray.

Mr. Roberts is not, as Lord Byron seems to have supposed, a

vital importance, it had assumed the more substantial shape of an affidavit sworn before the lord mayor Atkins, who readily receives any deposition; and doubtless would have brought it in some way as evidence of the designs of the Reformers to set fire to London, at the same time that he himself meditates the same good office towards the river Thames.

I am sure, my dear Roberts, that you will take these observations of mine in good part: they are written in a spirit of friendship not less pure than your own editorial integrity. I have always admired you; and, not knowing any shape which friendship and admiration can assume more agreeable and useful than that of good advice, I shall continue my lucubrations, mixed with here and there a monitory hint as to what I conceive to be the line you should pursue, in case you should ever again be assailed with bribes, or accused of taking them. By the way, you don't say much about the poem, except that it is "flagitious." This is a pity-you should have cut it up; because, to say the truth, in not doing so, you somewhat assist any notions which the malignant might entertain on the score of the anonymous asseveration which has made you so angry.

You say no bookseller “was willing to take upon himself the publication, though most of them disgrace themselves by selling it." Now, my dear friend, though we all know that those fellows will do any thing for money, methinks the disgrace is more with the purchasers: and some such, doubtless, there are; for there can be no very extensive selling (as you will perceive by that of the British Review) without buying. You then add, "What can the critic say?" I am sure I don't know; at present he says very little, and that not much to the purpose. Then comes "for praise, as far as regards the poetry, many passages might be exhibited: for condemnation, as far as regards the morality, all." Now, my dear good Mr. Roberts, I feel for you, and for your reputation; my heart bleeds for both; and I do ask you, whether or not such language does not come positively under the description of “the puff collusive," for which see Sheridan's farce of "The Critic" (by the way, a little more facetious than your own farce under the same title), towards the close of scene second, act the first.

The poem is, it seems, sold as the work of Lord Byron; but you feel yourself "at liberty to suppose it not Lord B.'s composition." Why did you ever suppose that it was? I approve of your indignation-I applaud it-I feel as angry as you can; but perhaps your virtuous wrath carries you a little too far, when you say that "no misdemeanor, not even that of sending into the world obscene and blasphemous poetry, the product of studious lewdness and labored impiety, appears to you in so detestable a light as the acceptance of a present by the editor of a review, as the condition of praising an author." The devil it doesn't!-Think a little. This is being critical overmuch. In point of Gentile benevolence or Christian charity, it were surely less criminal to praise for a bribe, than to abuse a fellow-creature for nothing; and as to the assertion of the comparative innocence of blasphemy and obscenity, confronted with an editor's "acceptance of a present," I shall merely observe, that as an editor you say very well, but, as a Christian divine, I would not recommend you to transpose this sentence into a sermon.

And yet you say, "the miserable man (for miserable he is, as having a soul of which he cannot get rid) "-But here I must pause again, and inquire what is the meaning of this parenthesis? We have heard of "little soul," or of "no soul at all," but never till now of "the misery of having a soul of which we cannot get rid:" a misery under which you are possibly no great sufferer, having got rid apparently of some of the intellectual part of your own when you penned this pretty piece of eloquence.

But to continue. You call upon Lord Byron, always supposing him not the author, to disclaim" with all gentlemanly haste," etc., etc. I am told that Lord B. is in a foreign country, some thousand miles off it may be; so that it will be difficult for him to hurry to your wishes. In the mean time, perhaps you yourself have set an example of more haste than gentility; but "the more haste the worse speed."

clergyman, but a barrister at law. In 1792 he established a paper called "The Looker-on," which has since been admitted into the collection of British Essayists; and he is known, in his profession, for a treatise on the Law of Fraudulent Bankruptcy. In 1834 he also published the Memoirs of Hannah More.

Charles Phillips, barrister, was in those days celebrated for ultraIrish eloquence. See the Edinburgh Review, No. Ivii.

Let us now look at the charge itself, my dear Roberts, which appears to me to be in some degree not quite explicitly worded:

"I bribed my Grandmother's Review, the British."

expenditure, I should conjecture that his reviewer's bill is not so long as his tailor's.

Shall I give you what I think a prudent opinion? I don't mean to insinuate, God forbid! but if, by any accident, there should have been such a correspondence between you and the unknown author, whoever he may be, send him back his money: I dare say he will be very glad to have it again; it can't be much, considering the value of the article and the circulation of the journal; and you are too modest to rate your praise beyond its real worth.-Don't be angry,-I know you won't,-at this appraisement of your powers of eulogy: for on the other hand, my dear friend, depend upon it your abuse is worth, not its own weight,—that's a feather, but for that, give it handsomely, and depend upon your doing him a friendly office.

But I only speak in case of possibility; for, as I said before, I cannot believe, in the first instance, that you would receive a bribe to praise any person whatever; and still less can I believe that your praise could ever produce such an offer. You are a good creature, my dear Roberts, and a clever fellow; else I could almost suspect that you had fallen into the very trap set for you in verse by this anonymous wag, who will certainly be but too happy to see you saving him the trouble of making you ridiculous. The fact is, that the solemnity of your eleventh article does make you look a little more absurd than you ever yet looked, in all probability, and at the same time does no good; for if any body believed before in the octave stanzas, they will believe still, and you will find it not less difficult to prove your negative, than the learned Partridge found it to demonstrate his not being dead, to the satisfaction of the readers of almanacs.

I recollect hearing, soon after the publication, this subject discussed at the tea-table of Mr. Sotheby the poet, who expressed himself, I remember, a good deal surprised that you had never reviewed his epic poem of "Saul," nor any of his six tragedies; of which, in one instance, the bad taste of the pit, and, in all the rest, the barbarous repugnance of the principal actors, prevented the performance. Mrs. and the Misses S. being in a corner of the room, perusing the proof-your weight in gold. So don't spare it: if he has bargained sheets of Mr. S.'s poems in Italy, or ON Italy, as he says (I wish, by the by, Mrs. S. would make the tea a little stronger), the male part of the conversazione were at liberty to make a few observations on the poem and passage in question; and there was a difference of opinion. Some thought the allusion was to the "British Critic;"* others, that by the expression, "My Grandmother's Review," it was intimated that "my grandmother" was not the reader of the review, but actually the writer; thereby insinuating, my dear Roberts, that you were an old woman; because, as people often say, "Jeffrey's Review," "Gifford's Review," in lieu of Edinburgh and Quarterly so my Grandmother's Review" and Roberts's might be almost synonymous. Now, whatever color this insinuation might derive from the circumstance of your wearing a gown, as well as from your time of life, your general style, and various passages of your writings,-I will take upon myself to exculpate you from all suspicion of the kind, and assert, without calling Mrs. Roberts in testimony, that if ever you should be chosen pope, you will pass through all the previous ceremonies with as much credit as any pontiff since the parturition of Joan. It is very unfair to judge of sex from writings, particularly from those of the British Review. We are all liable to be deceived; and it is an indisputable fact, that many of the best articles in your journal, which were attributed to a veteran female, were actually written by you yourself; and yet to this day there are people who could never find out the difference. But let us return to the more immediate question.

I agree with you, that it is impossible Lord Byron should be the author, not only because, as a British peer and a British poet, it would be impracticable for him to have recourse to such facetious fiction, but for some other reasons which you have omitted to state. In the first place, his lordship has no grandmother. Now, the author and we may believe him in this-doth expressly state that the "British" is his "Grandmother's Review;" and if, as I think I have distinctly proved, this was not a mere figurative allusion to your supposed intellectual age and sex, my dear friend, it follows, whether you be she or no, that there is such an elderly lady still extant. And I can the more readily credit this, having a sexagenary aunt of my own, who perused you constantly, till unfortunately falling asleep over the leading article of your last number, her spectacles fell off and were broken against the fender, after a faithful service of fifteen years, and she has never been able to fit her eyes since; so that I have been forced to read you aloud to her; and this is in fact the way in which I became acquainted with the subject of my present letter, and thus determined to become your public correspondent.

In the next place, Lord B.'s destiny seems in some sort like that of Hercules of old, who became the author of all unappropriated prodigies. Lond B. has been supposed the author of the "Vampire," of a "Pilgrimage to Jerusalem," "To the Dead Sea," of "Death upon the Pale Horse," of odes to "La Vallette," to "Saint Helena," to the "Land of the Gaul," and to a sucking child. Now, he turned out to have written none of these things. Besides, you say, he knows in what a spirit of, etc., you criticise:-Are you sure he knows all this? that he has read you like my poor dear aunt? They tell me he is a queer sort of a man; and I would not be too sure, if I were you, either of what he has read or of what he has written. I thought his style had been the serious and terrible. As to his sending you money, this is the first time that ever I heard of his paying his reviewers in that coin; I thought it was rather in their own, to judge from some of his earlier productions. Besides, though he may not be profuse in his

"Whether it be the British Critic, or the British Review, against which the noble lord prefers so grave a charge, or rather so facetious an accusation, we are at a loss to determine. The latter

What the motives of this writer may have been for (as you magnificently translate his quizzing you) “stating, with the particularity which belongs to fact, the forgery of a groundless fiction" (do pray, my dear R., talk a little less in King Cambyses' vein "), I cannot pretend to say; perhaps to laugh at you, but that is no reason for your benevolently making all the world laugh also. I approve of your being angry; I tell you I am angry too; but you should not have shown it so outrageously. Your solemn "if somebody personating the editor of the, etc., etc., has received from Lord B., or from any other person," reminds me of Charley Incledon's usual exordium when people came into the tavern to hear him sing without paying their share of the reckoning-“If a maun, or ony maun, or ony other maun," etc., etc.; you have both the same redundant eloquence. But why should you think any body would personate you? Nobody would dream of such a prank who ever read your compositions, and perhaps not many who have heard your conversation. But I have been inoculated with a little of your prolixity. The fact is, my dear Roberts, that somebody has tried to make a fool of you, and what he did not succeed in doing, you have done for him and for yourself.

With regard to the poem itself, or the author, whom I cannot find out (can you?), I have nothing to say; my business is with you. I am sure that you will, upon second thoughts, be really obliged to me for the intention of this letter, however far short my expressions may have fallen of the sincere good will, admiration, and thorough esteem, with which I am ever, my dear Roberts, Most truly yours,

Sept. 4th, 1819.
Little Pidlington.

WORTLEY CLUTTERBUCK.

P. S. My letter is too long to revise, and the post is going. I forget whether or not I asked you the meaning of your last words, "the forgery of a groundless fiction." Now, as all forgery is fiction, and all fiction a kind of forgery, is not this tautological? The sentence would have ended more strongly with "forgery;" only, it hath an awful Bank of England sound, and would have ended like an indictment, besides sparing you several words, and conferring some meaning upon the remainder. But this is mere verbal criticism. Good-bye-once more, yours truly, W. C.

P. S. 2d. Is it true that the Saints make up the loss of the
Review?-It is very handsome in them to be at so great an
expense. Twice more, yours,
W. C.

has thought it worth its while, in a public paper, to make a serious reply. As we are not so seriously inclined, we shall leave our share of this accusation to its fate."-British Critic.

NOTE 50.

Anglicanus;" which, I presume, being interpreted, means Scotch Presbyterian.+ I must here observe,-and it is at once ludicrous and vexatious to be compelled so frequently to repeat the same thing,-that my case, as an author, is

SOME OBSERVATIONS UPON AN ARTICLE IN BLACKWOOD's peculiarly hard, in being everlastingly taken, or mistaken,

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MAGAZINE, No. XXIX., AUGUST, 1819.

Why, how now, Hecate? you look angrily."-Macbeth.

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"The life of a writer" has been said, by Pope, I believe, to be "a warfare upon earth." As far as my own experience has gone, I have nothing to say against the proposition; and, like the rest, having once plunged into this state of hostility, must, however reluctantly, carry it on. An article has appeared in a periodical work, entitled "Remarks on Don Juan," which has been so full of this spirit, on the part of the writer, as to require some observations on mine.

In the first place, I am not aware by what right the writer assumes this work, which is anonymous, to be my production. He will answer, that there is internal evidence; that is to say, that there are passages which appear to be written in my name, or in my manner. But might not this have been done on purpose by another? He will say, why not then deny it? To this I could answer, that of all the things attributed to me within the last five years,-Pilgrimages to Jerusalem, Deaths upon Pale Horses, Odes to the Land of the Gaul, Adieus to England, Songs to Madame La Vallette, Odes to St. Helena, Vampires, and what not, of which, God knows, I never composed nor read a syllable beyond their titles in advertisements,-I never thought it worth while to disavow any, except one which came linked with an account of my "residence in the Isle of Mitylene," where I never resided, and appeared to be carrying the amusement of those persons, who think my name can be of any use to them, a little too far.

I should hardly, therefore, if I did not take the trouble to disavow these things published in my name, and yet not mine, go out of my way to deny an anonymous work; which might appear an act of supererogation. With regard to Don Juan, I neither deny nor admit it to be mine-everybody may form their own opinion; but, if there be any who now, or in the progress of that poem, if it is to be continued, feel, or should feel themselves so aggrieved as to require a more explicit answer, privately and personally, they shall have it. I have never shrunk from the responsibility of what I have written, and have more than once incurred obloquy by neglecting to disavow what was attributed to my pen without foundation.

The greater part, however, of the "Remarks on Don Juan" contain but little on the work itself, which receives an extraordinary portion of praise as a composition. With the exception of some quotations, and a few incidental remarks, the rest of the article is neither more nor less than a personal attack upon the imputed author. It is not the first in the same publication: for I recollect to have read, some time ago, similar remarks upon "Beppo" (said to have been written by a celebrated northern preacher); in which the conclusion drawn was, that "Childe Harold, Byron, and the count in Beppo, were one and the same person;" thereby making me turn out to be, as Mrs. Malaprop✶ says, “like Cerberus, three gentlemen at once." That article was signed "Presbyter

* In Sheridan's comedy of "The Rivals."

+ See Blackwood, vol. iii., p. 329. Lord B., as it appears from one of his letters, ascribed (though unjustly) this paper to the Rev. Dr. Chalmers!

"As the passage was curtailed in the press, I take this opportunity of restoring it. In the Quarterly Review (vol. xxi., p. 366), speaking incidentally of the Jungfrau, I said, 'It was the scene where Lord Byron's Manfred met the devil, and bullied himthough the devil must have won his cause before any tribunal in

for my own protagonist. It is unjust and particular. I never heard that my friend Moore was set down for a fireworshipper on account of his Guebre; that Scott was identifled with Roderick Dhu, or with Balfour of Burley; or that, notwithstanding all the magicians in Thalaba, anybody has ever taken Mr. Southey for a conjurer; whereas I have had some difficulty in extricating me even from Manfred, who, as Mr. Southey slyly observes in one of his articles in the Quarterly, "met the devil on the Jungfrau, and bullied him ;" and I answer Mr. Southey, who has apparently, in his poetical life, not been so successful against the great enemy, that, in this, Manfred exactly followed the sacred precept,-" Resist the devil, and he will flee from you."-I shall have more to say on the subject of this person--not the devil, but his most humble servant Mr. Southey-before I conclude; but, for the present, I must return to the article in the Edinburgh Magazine.

In the course of this article, amidst some extraordinary observations, there occur the following words :-"It appears, in short, as if this miserable man, having exhausted every species of sensual gratification,-having drained the cup of sin even to its bitterest dregs, were resolved to show us that he is no longer a human being even in his frailties,--but a cool, unconcerned fiend, laughing with a detestable glee over the whole of the better and worse elements of which human life is composed." In another place there appears, "the lurking-place of his selfish and polluted exile."-"By my troth, these be bitter words !"-With regard to the first sentence, I shall content myself with observing, that it appears to have been composed for Sardanapalus, Tiberius, the Regent Duke of Orleans, or Louis XV.; and that I have copied it with as much indifference as I would a passage from Suetonius, or from any of the private memoirs of the regency, conceiving it to be amply refuted by the terms in which it is expressed, and to be utterly inapplicable to any private individual. On the words "lurking-place," and "selfish and polluted exile," I have something more to say.--How far the capital city of a government, which survived the vicissitudes of thirteen hundred years, and might still have existed but for the treachery of Buonaparte, and the iniquity of his imitators,-a city, which was the emporium of Europe when London and Edinburgh were dens of barbarians,—may be termed a "lurking-place," I leave to those who have seen or heard of Venice to decide. How far my exile may have been "polluted," it is not for me to say, because the word is a wide one, and, with some of its branches, may chance to overshadow the actions of most men; but that it has been "selfish" I deny. If, to the extent of my means and my power, and my information of their calamities, to have assisted many miserable beings, reduced by the decay of the place of their birth, and their consequent loss of substanceif to have never rejected an application which appeared founded on truth-if to have expended in this manner sums far out of proportion to my fortune, there and elsewhere, be selfish, then have I been selfish. To have done such things I do not deem much; but it is hard indeed to be compelled to recapitulate them in my own defence, by such accusations as that before me, like a panel before a jury calling testimonies to his character, or a soldier recording his services to obtain his discharge. If the person who has made the charge of "selfishness" wishes to inform himself further on the subject, he may acquire, not what he would wish to find, but what will silence and shame him, by applying to the consulgeneral of our nation, resident in the place, who will be in the case either to confirm or deny what I have asserted.§

I neither make, nor have ever made, pretensions to sanctity of demeanor, nor regularity of conduct; but my means have been expended principally on my own gratification, neither now nor heretofore, neither in England nor out of it; and it

this world, or the next, if he had not pleaded more feebly for himself than his advocate, in a cause of canonization, ever pleaded for him.'"-SOUTHEY.

"Lord Byron was ever ready to assist the distressed, and he was most unostentatious in his charities; for, besides considerable sums which he gave away to applicants at his own house, he contributed largely, by weekly and monthly allowances, to persons whom he had never seen, and who, as the money reached them by other hands, did not even know who was their benefactor."-HOPPNER.

wants but a word from me, if I thought that word decent or necessary, to call forth the most willing witnesses, and at once witnesses and proofs, in England itself, to show that there are those who have derived not the mere temporary relief of a wretched boon, but the means which led them to immediate happiness and ultimate independence, by my want of that very "selfishness," as grossly as falsely now imputed to my conduct.

Had I been a selfish man---had I been a grasping man-had I been, in the worldly sense of the word, even a prudent man, -I should not be where I now am; I should not have taken the step which was the first that led to the events which have sunk and swoln a gulf between me and mine; but in this respect the truth will one day be made known: in the mean time, as Durandarte says, in the Cave of Montesinos, "Patience, and shuffle the cards."

I bitterly feel the ostentation of this statement, the first of the kind I have ever made: I feel the degradation of being compelled to make it; but I also feel its truth, and I trust to feel it on my death-bed, should it be my lot to die there. I am not less sensible of the egotism of all this; but, alas! who have made me thus egotistical in my own defence, if not they, who, by perversely persisting in referring fiction to truth, and tracing poetry to life, and regarding characters of imagination as creatures of existence, have made me personally responsible for almost every poetical delineation which fancy, and a particular bias of thought, may have tended to produce?

That

Has not "the general voice of his countrymen" long ago pronounced upon the subject-sentence without trial, and condemnation without a charge? Have I not been exiled by ostracism, except that the shells which proscribed me were anonymous? Is the writer ignorant of the public opinion and the public conduct upon that occasion? If he is, I am not: the public will forget both, long before I shall cease to remember either.

The man who is exiled by a faction has the consolation of thinking that he is a martyr; he is upheld by hope and the dignity of his cause, real or imaginary: he who withdraws from the pressure of debt may indulge in the thought that time and prudence will retrieve his circumstances: he who is condemned by the law has a term to his banishment, or a dream of its abbreviation; or, it may be, the knowledge or the belief of some injustice of the law, or of its adminis tration in his own particular; but he who is outlawed by general opinion, without the intervention of hostile politics, illegal judgment, or embarrassed circumstances, whether he be innocent or guilty, must undergo all the bitterness of exile, without hope, without pride, without alleviation. This case was mine. Upon what grounds the public founded their opinion, I am not aware; but it was general, and it was decisive. Of me or of mine they knew little, except that I had written what is called poetry, was a nobleman, had married, became a father, and was involved in differences with my wife and her relatives, no one knew why, because the persons complaining refused to state their grievances. The fashionable world was divided into parties, mine consisting of a very small minority: the reasonable world was naturally on the stronger side, which happened to be the lady's, as was most proper and polite. The press was active and scurrilous; and such was the rage of the day that the unfortunate publication of two copies of verses, rather complimentary than otherwise to the subjects of both, was tortured into a species of crime, or constructive petty treason. I was accused of every monstrous vice by public rumor, and private rancor: my name, which had been a knightly or a noble one since my fathers helped to conquer the kingdom for William the Norman, was tainted. I felt that, if what was whispered, and muttered, and murmured was true, I was unfit for England; if false, England was unfit for me. I withdrew: but this was not enough. In other countries, in Switzerland, in the shadow of the Alps, and by the blue depth of the lakes, I was pursued and breathed upon by the same blight. I crossed the mountains, but it was the same; so I went a little further, and settled myself by the waves of the Adriatic, like the stag at bay, who betakes him to the waters.

The writer continues:-"Those who are acquainted, as who is not? with the main incidents of the private life of Lord B.," etc. Assuredly, whoever may be acquainted with these "main incidents," the writer of the "Remarks on Don Juan" is not, or he would use a very different language. which I believe he alludes to as a "main incident," happened to be a very subordinate one, and the natural and almost inevitable consequence of events and circumstances long prior to the period at which it occurred. It is the last drop which makes the cup run over, and mine was already full.-But, to return to this man's charge: he accuses Lord B. of “an elaborate satire on the character and manners of his wife." From what parts of Don Juan the writer has inferred this he himself best knows. As far as I recollect of the female characters in that production, there is but one who is depicted in ridiculous colors, or that could be interpreted as a satire upon any body. But here my poetical sins are again revisited upon me, supposing that the poem be mine. If I depict a corsair, a misanthrope, a libertine, a chief of insurgents, or an infidel, he is set down to the author; and if, in a poem by no means ascertained to be my production, there appears a disagreeable, casuístical, and by no means respectable female pedant, it is set down for my wife. Is there any resemblance? If there be, it is in those who make it: I can see none. In my writings I have rarely described any character under a fictitious name: those of whom I have spoken have had their own-in many cases a stronger satire in itself than any which could be appended to it. But of real circumstances I have availed myself plentifully, both in the serious and the ludi-apprehensions of violence from the people who might be crous-they are to poetry what landscapes are to the painter; but my figures are not portraits. It may even have happened, that I have seized on some events that have occurred under my own observation, or in my own family, as I would paint a view from my grounds, did it harmonize with my picture; but I never would introduce the likeness of its living members, unless their features could be made as favorable to themselves as to the effect; which, in the above instance, would be extremely difficult.

If I may judge by the statements of the few friends who gathered round me, the outcry of the period to which I allude was beyond all precedent, all parallel, even in those cases where political motives have sharpened slander and doubled enmity. I was advised not to go to the theatres, lest I should be hissed, nor to my duty in parliament, lest I should be insulted by the way; even on the day of my departure, my most intimate friend told me afterwards, that he was under

assembled at the door of the carriage. However, I was not deterred by these counsels from seeing Kean in his best characters, nor from voting according to my principles; and with regard to the third and last apprehensions of my friends, I could not share in them, not being made acquainted with their extent till some time after I had crossed the Channel. Even if I had been so, I am not of a nature to be much affected by men's anger, though I may feel hurt by their aversion. Against all individual outrage, I could protect or redress myself; and against that of a crowd, I should probably have been enabled to defend myself, with the assistance of others, as has been done on similar occasions.

I retired from the country, perceiving that I was the object of general obloquy; I did not indeed imagine, like Jean Jacques Rousseau, that all mankind was in a conspiracy against me, though I had perhaps as good grounds for such a chimera as ever he had; but I perceived that I had to a great extent become personally obnoxious in England, perhaps through my own fault, but the fact was indisputable: the public in general would hardly have been so much excited against a more popular character, without at least an accusation or a charge of some kind actually expressed or substantiated, for I can hardly conceive that the common and

My learned brother proceeds to observe, that "it is in vain for Lord B. to attempt in any way to justify his own behavior in that affair; and now that he has so openly and audaciously invited inquiry and reproach, we do not see any good reason why he should not be plainly told so by the voice of his countrymen." How far the " openness" of an anonymous poem, and the "audacity" of an imaginary character, which the writer supposes to be meant for Lady B., may be deemed to merit this formidable denunciation from their "most sweet voices," I neither know nor care; but when he tells me that I cannot "in any way justify my own behavior in that affair," I acquiesce, because no man can "justify" himself until he knows of what he is accused; and I have never had—and, God knows, my whole desire has ever been to obtain it-any specific charge, in a tangible shape, sub-every-day occurrence of a separation between man and wife mitted to me by the adversary, nor by others, unless the atrocities of public rumor and the mysterious silence of the lady's legal advisers may be deemed such. But is not the writer content with what has been already said and done?

could in itself produce so great a ferment. I shall say nothing of the usual complaints of "being prejudged,” “condemned unheard,” “unfairness," "partiality," and so forth. the usual changes rung by parties who have had, or are to

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