Characters of Shakespeare's PlaysIn 'Characters of Shakespeare's Plays' by William Hazlitt, readers are taken on a profound exploration of the characters that inhabit the world of Shakespeare. Hazlitt delves deep into the psychological complexities of Shakespeare's creations, providing intricate analyses of each character's motives, emotions, and unique traits. Through Hazlitt's eloquent prose and astute observations, readers gain a deeper understanding of the literary brilliance and human depth of Shakespeare's characters, making this book an invaluable resource for scholars and Shakespeare enthusiasts alike. Hazlitt's keen insights offer a fresh perspective on these iconic figures, shedding new light on their timeless relevance in the literary world. William Hazlitt, a renowned literary critic and essayist, brings his vast knowledge and passion for literature to 'Characters of Shakespeare's Plays'. His dedication to dissecting Shakespeare's characters reveals Hazlitt's profound understanding of human nature and the art of storytelling. It is this expertise that makes Hazlitt's analysis a must-read for anyone seeking to deepen their appreciation for Shakespearean works. I highly recommend 'Characters of Shakespeare's Plays' to readers who wish to enhance their understanding and appreciation of Shakespeare's timeless characters. Hazlitt's insightful commentary and engaging writing style make this book a captivating and enlightening read for both scholars and enthusiasts of Shakespearean literature. |
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... Dramatic Literature ' for the Edinburgh , and this would seem to have started him on his Characters of Shakespeare's Plays . Throughout 1816 he wrote at it sedulously . The MS . , when completed , was accepted by Mr. C. H. Reynell , of ...
... Dramatic Literature ' for the Edinburgh , and this would seem to have started him on his Characters of Shakespeare's Plays . Throughout 1816 he wrote at it sedulously . The MS . , when completed , was accepted by Mr. C. H. Reynell , of ...
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... DRAMATIC distinctions which Shakespeare has engrafted on this general nature, because he felt no interest in them. Nothing is easier to prove than that in this world nobody ever invented anything. So it may be proved that, Johnson ...
... DRAMATIC distinctions which Shakespeare has engrafted on this general nature, because he felt no interest in them. Nothing is easier to prove than that in this world nobody ever invented anything. So it may be proved that, Johnson ...
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... the Characters that , ' although it professes to be dramatic criticism , it is in reality a discourse on the philosophy of life and human nature , more suggestive than many approved treatises expressly devoted to that subject'. Well, for.
... the Characters that , ' although it professes to be dramatic criticism , it is in reality a discourse on the philosophy of life and human nature , more suggestive than many approved treatises expressly devoted to that subject'. Well, for.
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... dramatic craftsman, studied him as such, worshipped him for his incomparable skill in doing what he tried, all his life and all the time, to do. In these days much merit must be allowed to a Shakespearian critic who takes his author ...
... dramatic craftsman, studied him as such, worshipped him for his incomparable skill in doing what he tried, all his life and all the time, to do. In these days much merit must be allowed to a Shakespearian critic who takes his author ...
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... dramatic forgetfulness of himself impossible. With this exception, the censure originates only in a fanciless way of thinking, to which everything appears unnatural that does not suit its own tame insipidity. Hence, an idea has been ...
... dramatic forgetfulness of himself impossible. With this exception, the censure originates only in a fanciless way of thinking, to which everything appears unnatural that does not suit its own tame insipidity. Hence, an idea has been ...
Contents
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth