Characters of Shakespeare's Plays"Characters of Shakespeare's Plays" by William Hazlitt is a book of criticism of Shakespeare's plays. It paved the way for the increased appreciation of Shakespeare's genius that was characteristic of later nineteenth-century criticism. It was also the first book to cover all of Shakespeare's plays, intended as a guide for the general reader. The center of attention is in large part on the characters, described often with a personal slant and using memorable expressions, and incorporating psychological insights that were to become highly influential in later criticism. |
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... things of the mind, in early childhood a nomad, in later childhood 'privately educated'—a process which (whatever its merits) is apt to develop the freak as against the citizen, the eccentric and lop-sided as against what is ...
... things of the mind, in early childhood a nomad, in later childhood 'privately educated'—a process which (whatever its merits) is apt to develop the freak as against the citizen, the eccentric and lop-sided as against what is ...
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... things that with their rival degrees of intrinsic importance agree in being, for Shakespeare, nihil ad rem. (2) Secondly, Hazlitt always treats Shakespeare as, in my opinion, he deserves to be treated; that is, absolutely and as ...
... things that with their rival degrees of intrinsic importance agree in being, for Shakespeare, nihil ad rem. (2) Secondly, Hazlitt always treats Shakespeare as, in my opinion, he deserves to be treated; that is, absolutely and as ...
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... things, made no impression on him: he seized only on the permanent and tangible. He had no idea of natural objects but 'such as he could measure with a two-fool rule, or tell upon ten fingers': he judged of human nature in the same way ...
... things, made no impression on him: he seized only on the permanent and tangible. He had no idea of natural objects but 'such as he could measure with a two-fool rule, or tell upon ten fingers': he judged of human nature in the same way ...
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Contents
CYMBELINE | |
JULIUS CASESAR | |
OTHELLO | |
TIMON OF ATHENS | |
TROILUS AND CRESSIDA | |
ANTONY AND CLEOPATRA | |
LEAR | |
RICHARD II | |
HENRY IV | |
HENRY VI | |
RICHARD III | |
HENRY VIII | |
TWELFTH NIGHT OR WHAT YOU WILL | |
THE TWO GENTLEMEN OF VERONA | |
HAMLET | |
THE TEMPEST | |
THE MIDSUMMER NIGHTS DREAM | |
ROMEO AND JULIET | |
THE WINTERS TALE | |
ALLS WELL THAT ENDS WELL | |
MUCH ADO ABOUT NOTHING | |
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt No preview available - 2015 |
Common terms and phrases
admirable affections answer Antony Apemantus banished beauty blood Bolingbroke breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth DOUBTFUL PLAYS dramatic eyes Falstaff father fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM MIDSUMMER'S NIGHT DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shakespeare Sir Toby sleep soul speak speech spirit striking sweet Table of Contents tender thee things thou art thought TITUS ANDRONICUS tongue tragedy truth Victor Hirtzler wife William Hazlitt words youth