Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
From inside the book
Results 1-3 of 8
Page 180
... Directed by : Howard Davies 1987 Serious Money The Royal Court Theatre Directed by : Max Stafford - Clark 1989 Icecream The Royal Court Theatre Directed by : Max Stafford - Clark 1990 Mad Forest Central School of Speech and Drama ...
... Directed by : Howard Davies 1987 Serious Money The Royal Court Theatre Directed by : Max Stafford - Clark 1989 Icecream The Royal Court Theatre Directed by : Max Stafford - Clark 1990 Mad Forest Central School of Speech and Drama ...
Page 181
... Directed by : John Caird 1996 Marlene Oldham Coliseum ; 1997 The Lyric Theatre ( West End ) Directed by : Sean Mathias 1998 The Snow Palace Wilde Theatre , Bracknell Directed by : Janet Suzman 2000 Natalya Sarah Daniels ( b.1956 ) 1981 ...
... Directed by : John Caird 1996 Marlene Oldham Coliseum ; 1997 The Lyric Theatre ( West End ) Directed by : Sean Mathias 1998 The Snow Palace Wilde Theatre , Bracknell Directed by : Janet Suzman 2000 Natalya Sarah Daniels ( b.1956 ) 1981 ...
Page 182
... Directed by : Teddy Kiendl 1990 Beside Herself Royal Court Theatre Directed by : Jules Wright 1994 The Madness of Esme and Shaz Royal Court Theatre Upstairs Directed by : Jessica Dromgoole Awards : Most promising Playwright London ...
... Directed by : Teddy Kiendl 1990 Beside Herself Royal Court Theatre Directed by : Jules Wright 1994 The Madness of Esme and Shaz Royal Court Theatre Upstairs Directed by : Jessica Dromgoole Awards : Most promising Playwright London ...
Common terms and phrases
Alice Anti-Oedipus audience body break the bounds British capitalist Caryl Churchill century characters Churchill's Cloud Nine colonial constituted constructed critical cultural Deleuze desire dominant drama dramatic discourse dramatic text economic episteme Esme female feminism Feminist Theatre Frank Frieda Heart's a Suitcase hetaira heterosexual ideal identity ideology Imperial Leather Irish Josie lesbian lives mainstream stages male Marguerite Marlene masculinist Max Stafford-Clark melodrama metaphor Methuen Michel Foucault mother myth nature norms Pam Gems patriarchal impulse performance Piaf piece play Playwrights political pornography position produced Queen Christina radical reading represented reveals Routledge Rowena Royal Court Theatre rupture scene seems Serious Money sexual Shaz signified skriker social society Softcops space stereotypical strategy structures subversive Susannah symbolic Theatre Directed theatrical theory tion Top Girls traditional trans transformation transgressive University Press Vinegar Vinegar Tom western whilst woman Women Dramatists writing