Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 85
CHAPTER THREE - oleh - ༦ — WHITE WOMEN'S MYTHOLOGIES Pam Gems Gems ( snatches ] back the truth about women's lives out of the jaws of a maleconstructed history . -Mary Remnant , quoted in Rage and Reason A woman's ( re ) discovery of ...
CHAPTER THREE - oleh - ༦ — WHITE WOMEN'S MYTHOLOGIES Pam Gems Gems ( snatches ] back the truth about women's lives out of the jaws of a maleconstructed history . -Mary Remnant , quoted in Rage and Reason A woman's ( re ) discovery of ...
Page 88
Queen Christina is intended by Gems to be a metaphor for the bisexual and constructed gender identity of contemporary woman . She is this Cixousian storm of excess , an overspill of dual - gendered sexuality who functions as mythical ...
Queen Christina is intended by Gems to be a metaphor for the bisexual and constructed gender identity of contemporary woman . She is this Cixousian storm of excess , an overspill of dual - gendered sexuality who functions as mythical ...
Page 101
Pam Gems writes several plays about a specific gender category , writing within which must surely be most difficult , prototypical as prostitution has always been of the very nadir of womanhood , pigeon - holed and derided by the self ...
Pam Gems writes several plays about a specific gender category , writing within which must surely be most difficult , prototypical as prostitution has always been of the very nadir of womanhood , pigeon - holed and derided by the self ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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