Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 61
... allowed to speak out . She resists the prevailing inter- pretation of the Bible , challenging authority in the form of an ordained min- ister who speaks of salvation for only the predestined few as she proclaims : ' It's a man wrote the ...
... allowed to speak out . She resists the prevailing inter- pretation of the Bible , challenging authority in the form of an ordained min- ister who speaks of salvation for only the predestined few as she proclaims : ' It's a man wrote the ...
Page 62
... allowed only via kinship systems . This autonomy suddenly allowed them , however brief and transitory , contributes to the wave of joy , which is a link with Cobbe's vision of hope . This is ratified in the next scene as Walt Whitman's ...
... allowed only via kinship systems . This autonomy suddenly allowed them , however brief and transitory , contributes to the wave of joy , which is a link with Cobbe's vision of hope . This is ratified in the next scene as Walt Whitman's ...
Page 86
... allowed her to make the transition from the fringe , where her work first appeared , to the established theatres where her plays have been so frequently produced . " She is the only feminist dramatist in the mainstream who , despite ...
... allowed her to make the transition from the fringe , where her work first appeared , to the established theatres where her plays have been so frequently produced . " She is the only feminist dramatist in the mainstream who , despite ...
Common terms and phrases
Alice Anti-Oedipus audience body break the bounds British capitalist Caryl Churchill century characters Churchill's Cloud Nine colonial constituted constructed critical cultural Deleuze desire dominant drama dramatic discourse dramatic text economic episteme Esme female feminism Feminist Theatre Frank Frieda Heart's a Suitcase hetaira heterosexual ideal identity ideology Imperial Leather Irish Josie lesbian lives mainstream stages male Marguerite Marlene masculinist Max Stafford-Clark melodrama metaphor Methuen Michel Foucault mother myth nature norms Pam Gems patriarchal impulse performance Piaf piece play Playwrights political pornography position produced Queen Christina radical reading represented reveals Routledge Rowena Royal Court Theatre rupture scene seems Serious Money sexual Shaz signified skriker social society Softcops space stereotypical strategy structures subversive Susannah symbolic Theatre Directed theatrical theory tion Top Girls traditional trans transformation transgressive University Press Vinegar Vinegar Tom western whilst woman Women Dramatists writing