Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 31
The next few sections of dialogue continue naturalistically with variations to freeze , and start again , but soon , naturalism gives way to parody and farce ( Wilde , Shaw ) evoking laughter in the stunned audience for the first time ...
The next few sections of dialogue continue naturalistically with variations to freeze , and start again , but soon , naturalism gives way to parody and farce ( Wilde , Shaw ) evoking laughter in the stunned audience for the first time ...
Page 141
Rowena is ambivalent for the most part at first , not only because of her ignorance of the continuous misrepresentation of women in pornography but also as an authorial strategy in audience - attitude construction .
Rowena is ambivalent for the most part at first , not only because of her ignorance of the continuous misrepresentation of women in pornography but also as an authorial strategy in audience - attitude construction .
Page 145
By presenting her as a criminal in the dock for an as yet unidentified reason , Rowena's rigidly anti - pornographic stance might be rejected by the unresisting audience , who is , as established in the first scene , ambiguous about ...
By presenting her as a criminal in the dock for an as yet unidentified reason , Rowena's rigidly anti - pornographic stance might be rejected by the unresisting audience , who is , as established in the first scene , ambiguous about ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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