Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
From inside the book
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Page 7
... constituted . " Feminists who speak of ' overthrow- ing the patriarchy ' are speaking of overthrowing the very system of forma- tion that they , as subjects , are constituted in . Instead , feminist strategies , whether radical or ...
... constituted . " Feminists who speak of ' overthrow- ing the patriarchy ' are speaking of overthrowing the very system of forma- tion that they , as subjects , are constituted in . Instead , feminist strategies , whether radical or ...
Page 11
... constituted by a particu- larly female space within the public domain of patriarchies past and present and this links Top Girls chronologically backwards with Vinegar Tom's women , and forwards to the contemporary rural women of Fen ...
... constituted by a particu- larly female space within the public domain of patriarchies past and present and this links Top Girls chronologically backwards with Vinegar Tom's women , and forwards to the contemporary rural women of Fen ...
Page 45
... constituted in the matrix of the overlapping discourses of family and empire . It is interesting that Chur- chill's savage ( Joshua ) and Churchill's child ( Edward ) are both seduced by the colonizer , Harry ( who is the equal of the ...
... constituted in the matrix of the overlapping discourses of family and empire . It is interesting that Chur- chill's savage ( Joshua ) and Churchill's child ( Edward ) are both seduced by the colonizer , Harry ( who is the equal of the ...
Common terms and phrases
Alice Anti-Oedipus audience body break the bounds British capitalist Caryl Churchill century characters Churchill's Cloud Nine colonial constituted constructed critical cultural Deleuze desire dominant drama dramatic discourse dramatic text economic episteme Esme female feminism Feminist Theatre Frank Frieda Heart's a Suitcase hetaira heterosexual ideal identity ideology Imperial Leather Irish Josie lesbian lives mainstream stages male Marguerite Marlene masculinist Max Stafford-Clark melodrama metaphor Methuen Michel Foucault mother myth nature norms Pam Gems patriarchal impulse performance Piaf piece play Playwrights political pornography position produced Queen Christina radical reading represented reveals Routledge Rowena Royal Court Theatre rupture scene seems Serious Money sexual Shaz signified skriker social society Softcops space stereotypical strategy structures subversive Susannah symbolic Theatre Directed theatrical theory tion Top Girls traditional trans transformation transgressive University Press Vinegar Vinegar Tom western whilst woman Women Dramatists writing