Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 11
This is an emotion which is constituted by a particularly female space within the public domain of patriarchies past and present and this links Top Girls chronologically backwards with Vinegar Tom's women , and forwards to the ...
This is an emotion which is constituted by a particularly female space within the public domain of patriarchies past and present and this links Top Girls chronologically backwards with Vinegar Tom's women , and forwards to the ...
Page 41
The son Edward is played by an adult woman in Act I. This is Churchill's gender extension to Foucault's child sexuality and surveillance methods which it seems constituted by . It also points to gendering as a cultural process — Edward ...
The son Edward is played by an adult woman in Act I. This is Churchill's gender extension to Foucault's child sexuality and surveillance methods which it seems constituted by . It also points to gendering as a cultural process — Edward ...
Page 45
Meanwhile , the young Edward's sexuality is constituted in the matrix of the overlapping discourses of family and empire . It is interesting that Churchill's savage ( Joshua ) and Churchill's child ( Edward ) are both seduced by the ...
Meanwhile , the young Edward's sexuality is constituted in the matrix of the overlapping discourses of family and empire . It is interesting that Churchill's savage ( Joshua ) and Churchill's child ( Edward ) are both seduced by the ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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