Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page xx
... Context ' . Each level of the text , whether dramatic or per- formance or the mise en scène , relate not just with each other , but inter- textually with the discursive and ideological structures of a period of time ; the corpus of ...
... Context ' . Each level of the text , whether dramatic or per- formance or the mise en scène , relate not just with each other , but inter- textually with the discursive and ideological structures of a period of time ; the corpus of ...
Page 189
... context of the patriarchal episteme , the ' external force ' would be feminism , al- though to what extent can a transformative force be non - discursive ? And , in view of the system and its rules , there is nothing outside the ...
... context of the patriarchal episteme , the ' external force ' would be feminism , al- though to what extent can a transformative force be non - discursive ? And , in view of the system and its rules , there is nothing outside the ...
Page 202
... context on the London stage ' , in The Play out of Context : Transferring Plays from Cul- ture to Culture , eds . Hanna Scolnicov and Peter Holland , Cambridge University Press , 1989. p.73 . 81. British and Irish Women Dramatists , p ...
... context on the London stage ' , in The Play out of Context : Transferring Plays from Cul- ture to Culture , eds . Hanna Scolnicov and Peter Holland , Cambridge University Press , 1989. p.73 . 81. British and Irish Women Dramatists , p ...
Common terms and phrases
Alice Anti-Oedipus audience body break the bounds British capitalist Caryl Churchill century characters Churchill's Cloud Nine colonial constituted constructed critical cultural Deleuze desire dominant drama dramatic discourse dramatic text economic episteme Esme female feminism Feminist Theatre Frank Frieda Heart's a Suitcase hetaira heterosexual ideal identity ideology Imperial Leather Irish Josie lesbian lives mainstream stages male Marguerite Marlene masculinist Max Stafford-Clark melodrama metaphor Methuen Michel Foucault mother myth nature norms Pam Gems patriarchal impulse performance Piaf piece play Playwrights political pornography position produced Queen Christina radical reading represented reveals Routledge Rowena Royal Court Theatre rupture scene seems Serious Money sexual Shaz signified skriker social society Softcops space stereotypical strategy structures subversive Susannah symbolic Theatre Directed theatrical theory tion Top Girls traditional trans transformation transgressive University Press Vinegar Vinegar Tom western whilst woman Women Dramatists writing