Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 62
It is the landed classes who have security and a sense of identity in a society of increasingly commodified desire , and the loot acquired as landowners are overthrown and land and property claimed by the Diggers gives the poor women a ...
It is the landed classes who have security and a sense of identity in a society of increasingly commodified desire , and the loot acquired as landowners are overthrown and land and property claimed by the Diggers gives the poor women a ...
Page 109
In scene ii Gems transposes time to give us the young Edith walking the streets of Paris before the advent of her singing ... of working the streets , she assumes the nightclub manager expects sexual favours for the money he gives her .
In scene ii Gems transposes time to give us the young Edith walking the streets of Paris before the advent of her singing ... of working the streets , she assumes the nightclub manager expects sexual favours for the money he gives her .
Page 145
In fact , he would be prepared to give her a reference ' . Whilst Hilary , divested of any dignity of self , is left bitter about ... What a bloody joke and I thought working was s'posed to give you some self - respect . Ha bloody ha .
In fact , he would be prepared to give her a reference ' . Whilst Hilary , divested of any dignity of self , is left bitter about ... What a bloody joke and I thought working was s'posed to give you some self - respect . Ha bloody ha .
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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