Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
From inside the book
Results 1-3 of 23
Page xx
Constituted within the difference of the discourses of east and west , black and white , self and other , my interstitial position determines my reading of texts such as Cloud Nine or Chiaroscuro , and oft - times enables me to offer ...
Constituted within the difference of the discourses of east and west , black and white , self and other , my interstitial position determines my reading of texts such as Cloud Nine or Chiaroscuro , and oft - times enables me to offer ...
Page 49
He is quick to allow or offer his wife freedom and independence if she needs it within their relationship . The questions under consideration are an offer of a job in Manchester ( which would take Victoria away from London where they ...
He is quick to allow or offer his wife freedom and independence if she needs it within their relationship . The questions under consideration are an offer of a job in Manchester ( which would take Victoria away from London where they ...
Page 63
The disillusion is exacerbated with the killing of a Leveller leader as people turn from religion , as it offers no solace . Churchill said that she and Max Stafford - Clark were led to the theme by wondering and then exploring what led ...
The disillusion is exacerbated with the killing of a Leveller leader as people turn from religion , as it offers no solace . Churchill said that she and Max Stafford - Clark were led to the theme by wondering and then exploring what led ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Common terms and phrases
allowed audience becomes body break British century characters child Christina Churchill Churchill's colonial coming constituted constructed contemporary context continues critical cultural Daniels desire Directed discourse dominant drama dramatists economic effect Esme existence feel female feminism feminist force Foucault Frank function Gems gender give ideal identity ideology impulse individual issues language later lesbian lives look mainstream male Marlene material means Michigan mother myth nature never offers opens patriarchal performance Piaf piece play points political pornography position possible practices present Press produced reading reflect relations represented reveals Royal scene seems seen sexual Shaz social society space speaks stage structures theatre theory things thought tion Top Girls traditional transformation turn University western whilst woman women writing