Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 55
witches like Ellen in the play . This separationist piece indicts all men — an unusual play for Churchill to write , revealing her malleability . The witch hunters , Goody and Packer , stand for the institutionalized and organized ...
witches like Ellen in the play . This separationist piece indicts all men — an unusual play for Churchill to write , revealing her malleability . The witch hunters , Goody and Packer , stand for the institutionalized and organized ...
Page 59
86 а 87 Light Shining is a radical re - interpretation of history and takes its place beside the many ' history plays of the post - war period . Simultaneous to the writing with Monstrous Regiment , this history takes account of its ...
86 а 87 Light Shining is a radical re - interpretation of history and takes its place beside the many ' history plays of the post - war period . Simultaneous to the writing with Monstrous Regiment , this history takes account of its ...
Page 120
She compares her to Churchill and Wertenbaker ( whose plays have also largely played at studio venues similar to the venues at which Daniels has played , apart from the fact that they are all Royal Court writers ) .
She compares her to Churchill and Wertenbaker ( whose plays have also largely played at studio venues similar to the venues at which Daniels has played , apart from the fact that they are all Royal Court writers ) .
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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