Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 142
As Peter Baker , organizer of Britain's first national conference for men opposed to pornography ( September 1990 ) , writes on the effect of pornography on men ' : 35 Given the nature of male power and contemporary masculinity , it is ...
As Peter Baker , organizer of Britain's first national conference for men opposed to pornography ( September 1990 ) , writes on the effect of pornography on men ' : 35 Given the nature of male power and contemporary masculinity , it is ...
Page 145
However , if Rowena's character must mirror the audience progress to the anti - pornographic stance aimed at in this ... with a criminal let alone a murderer , Daniels ' Rowena is unconvincing in her final stance against pornography .
However , if Rowena's character must mirror the audience progress to the anti - pornographic stance aimed at in this ... with a criminal let alone a murderer , Daniels ' Rowena is unconvincing in her final stance against pornography .
Page 205
call for pornography on the stage . ' The most transgressive act at this historical moment would be representing [ gay male or lesbian sex ] in excess , in dominant and marginalized reception communities .
call for pornography on the stage . ' The most transgressive act at this historical moment would be representing [ gay male or lesbian sex ] in excess , in dominant and marginalized reception communities .
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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