Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
From inside the book
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Page 4
... possible for these particular enunciations ( discursive events ) to take place . Foucault emphasizes that there is no temporal point of origin , but rather , the system of formation be regarded as a system of rules . These rules come ...
... possible for these particular enunciations ( discursive events ) to take place . Foucault emphasizes that there is no temporal point of origin , but rather , the system of formation be regarded as a system of rules . These rules come ...
Page 25
... possible for there to occur a transformation , a succession which follows its own rules . There are several possible ( non - hierarchical ) 64 ' levels ' in the density of the discourse Patriarchy and the ( Western ) Patriarchal Impulse 25.
... possible for there to occur a transformation , a succession which follows its own rules . There are several possible ( non - hierarchical ) 64 ' levels ' in the density of the discourse Patriarchy and the ( Western ) Patriarchal Impulse 25.
Page 68
... possible for a single gaze to see everything constantly ( ... ) a perfect eye that nothing would escape and a centre toward which all gazes would be turned . -Michel Foucault , Discipline and Punish 1983 saw the production of Softcops ...
... possible for a single gaze to see everything constantly ( ... ) a perfect eye that nothing would escape and a centre toward which all gazes would be turned . -Michel Foucault , Discipline and Punish 1983 saw the production of Softcops ...
Common terms and phrases
Alice Anti-Oedipus audience body break the bounds British capitalist Caryl Churchill century characters Churchill's Cloud Nine colonial constituted constructed critical cultural Deleuze desire dominant drama dramatic discourse dramatic text economic episteme Esme female feminism Feminist Theatre Frank Frieda Heart's a Suitcase hetaira heterosexual ideal identity ideology Imperial Leather Irish Josie lesbian lives mainstream stages male Marguerite Marlene masculinist Max Stafford-Clark melodrama metaphor Methuen Michel Foucault mother myth nature norms Pam Gems patriarchal impulse performance Piaf piece play Playwrights political pornography position produced Queen Christina radical reading represented reveals Routledge Rowena Royal Court Theatre rupture scene seems Serious Money sexual Shaz signified skriker social society Softcops space stereotypical strategy structures subversive Susannah symbolic Theatre Directed theatrical theory tion Top Girls traditional trans transformation transgressive University Press Vinegar Vinegar Tom western whilst woman Women Dramatists writing