Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 55
The songs , another Brechtian device which produces distantiation to facilitate and enable audience judgement , reflect on how women and blacks and Jews have long been the scapegoats of society . In an afterwordøl to the play the ...
The songs , another Brechtian device which produces distantiation to facilitate and enable audience judgement , reflect on how women and blacks and Jews have long been the scapegoats of society . In an afterwordøl to the play the ...
Page 71
And people would walk gravely and soberly and reflect . And for the worst crime . Parricide . An iron cage hanging high up in the sky . Symbolic of the rejection of heaven and earth . From anywhere in the city you could look up .
And people would walk gravely and soberly and reflect . And for the worst crime . Parricide . An iron cage hanging high up in the sky . Symbolic of the rejection of heaven and earth . From anywhere in the city you could look up .
Page 83
cal , often eccentric content in expressionistic overtures , Churchill's repertoire of devices vary with the subject of the play : the disjointed and episodic structure of Light Shining and Mad Forest reflect the political and social ...
cal , often eccentric content in expressionistic overtures , Churchill's repertoire of devices vary with the subject of the play : the disjointed and episodic structure of Light Shining and Mad Forest reflect the political and social ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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